Vincent van Gogh

Posted in Art & Architecture, Art & Archives, J. Paul Getty Museum, Paintings

Free Art Wallpapers to Celebrate #MuseumWeek

Vincent van Gogh's Irises as an iPhone background.
Vincent van Gogh's "Irises" makes for a beautiful wallpaper! Irises, 1889, Vincent van Gogh. Oil on canvas.

Van Gogh your devices. More»

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Posted in #GettyInspired, Art & Archives, J. Paul Getty Museum, Paintings

L.A. Band Writes Techno Music Inspired by Van Gogh

rebellion_dancespirit_irises

Van Gogh’s painting inspires a song “Drowning in Irises” by Dance Spirit More»

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Posted in #GettyInspired, Art, Art & Archives

Latte Art Inspired by Van Gogh’s “Irises”

Latte art inspired by Vincent van Gogh

Coffee + art + flowers = happiness. More»

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Posted in Art, Art & Archives, Editor's Picks, Paintings

Five Ways of Seeing Van Gogh’s Irises

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3. Alone

With a little luck and an early arrival to the museum, you just might be able to enjoy Irises alone. If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy that makes it one of my favorite ways to see it.

4. Multiple Times

Detail of IrisesDuring my observations I noticed people often came back to see the painting multiple times in one day. I wonder if it’s due to its emotional complexity. One visitor felt the painting is filled with melancholy and sadness, pointing out Van Gogh’s stay in an asylum and the lone, white flower in the midst of the vibrant, purple irises. On the opposite end of the spectrum, another viewer felt the painting is full of joy, pointing out how vibrant the colors were, and how they manage to rise out of the seemingly dry, brown dirt.

5. Internationally

Visitors from all across the world viewed this famous Van Gogh. In just one hour I heard multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. DH0A5398 One of the great things about art is how we all bring our own perspectives to it. How

Many ways to see a Van Gogh. More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Paintings

Van Gogh’s Irises / Haiku Verses from Readers / An Invitation

The Irises in its gilded frame / Vincent van Gogh
Irises, 1889, Vincent van Gogh. Oil on canvas, 29 1/4 x 37 1/8 in. The J. Paul Getty Museum, 90.PA.20

Over 60 haiku in honor of Vincent van Gogh. More»

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Posted in Art, Art & Archives, J. Paul Getty Museum

Justice, Vengeance, Crime, Love, and Van Gogh

Justice and Divine Vengeance Pursuing Crime, Pierre-Paul Prud'hon, about about 1805–06

Which art objects on the Getty Museum’s website are most popular? The answers might surprise you—or perhaps confirm what you’ve always suspected about the Internet.

Over the past year, three objects have vied for the top spot, each for different reasons. More»

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Posted in Art & Archives, Behind the Scenes, Paintings

Getty Up! Welcome to the Getty’s New Blog

Irises, Vincent van Gogh, 1889

The Iris is a reference to the Getty Museum’s best-known painting: Irises by Vincent van Gogh. That painting is surrounded by knots of visitors most of the time; it’s behind glass because so many people want to reach out and… More»

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      Clocking in at a giant 400 square feet, this tapestry, Triumph of Bacchus, teems with tiny details and hidden narratives.

      Here are just three:

      • At bottom center, Bacchus poses on the world’s largest wine fountain.
      • To the left, a sad, Eeyore-like donkey waits for satyrs and men to unload grapes from his back.
      • To the right, a rowdy monkey rides a camel that carries wooden barrels—presumably to be filled with wine.

      The tapestry is one of the highlights of the exhibition Woven Gold: Tapestries of Louis XIV. (L.A. folks: final weekend!)

      More on The Iris: A Tour of the Triumph of Bacchus

      Triumph of Bacchus (overall view and details), about 1560, design by Giovanni da Udine under the supervision of Raphael; woven at the workshop of Frans Geubels, Brussels. Wool, silk, and gilt metal-wrapped thread. Courtesy of Le Mobilier National. Image © Le Mobilier National. Photo by Lawrence Perquis

      04/29/16

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