Zocalo Public Square

Posted in Art, Photographs, Film, and Video

Larry Sultan’s Visions of Suburbia

Screen Shot 2014-12-23 at 2.53.57 PM

On Larry Sultan, intimacy, and photography. More»

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Posted in Art, Education

Will the Laptop Destroy the Coffee Shop?

Is the Internet killing public space? A Zocalo-Getty panel

Is the Internet making us weird? More»

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Posted in Architecture and Design, Art

Which Artist Would You Recommend to a Space Alien?

Malin House ("Chemosphere") / John Lautner
Malin House ("Chemosphere"), 1960, designed by John Lautner. Photo by Julius Shulman, 1961. Julius Shulman Photography Archive. The Getty Research Institute, 2004.R.10

A beginner’s guide to the human mind and heart. More»

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Posted in Art

Struck by Lightning at the Louvre

Crowds throng the Mona Lisa at the Louvre Museum, Paris
Today's Louvre—glorious crowds and all. It was different in 1969. Photo: Gabriel Cabreira, CC BY-ND 2.0

Sometimes the best way to discover your life’s work is by simple good luck. More»

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Posted in Art, Photographs, Film, and Video

David Hockney in the Promised Land

Woldgate Woods, 26, 27 & 30 July 2006 / David Hockney
Artwork © David Hockney. Photo: Richard Schmidt

“Why is vibrant color, like green, characteristic of Hockney’s landscapes of Northern England? I think it has to do with the nearly 30 years that he lived in L.A.” More»

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Posted in Art, Exhibitions and Installations, Getty Center

Student-Built Día de los Muertos Altar Pays Tribute to L.A.’s Saints

saint
The altarpiece to Saint Luke, patron saint of artists

A larger-than-life altarpiece featuring Saint Luke occupies the auditorium for Día de los Muertos. More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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