In March, one of the most elegant women at the Museum was forcibly escorted out of the galleries. I was there and saw the whole thing.
Princess Leonilla, who’d been on constant view since the Getty Center opened in 1997, was wheeled away (very gently—here is evidence) to make room for a new arrival, J.M.W. Turner’s Modern Rome-Campo Vaccino.
Visitors were quick to notice the princess’s departure and demand to know when she’d be back. So, good news: she’s taken up residence just one room over from her former home, in Gallery W201.
It’s true that the princess has to put up with a smaller wall than she presided over before. But she was a woman renowned for her intellect as well as her beauty, and I like to think she’s having a blast getting to know her new neighbors, which include a Roman emperor, an exotic horseman, a brooding Romantic, and a racy trio of lovers.