Conservation

Preserving art and culture for the future, from field projects around the world to conservation science in the Getty’s own state-of-the-art labs

Also posted in Behind the Scenes, Exhibitions and Installations, Getty Conservation Institute

Science Behind Glass

Getty Conservation Institute scientist Vincent Beltran working on high-tech frames
Photo: S. Warren

Santa Ana winds are no match for these high-tech frames. More»

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Also posted in Behind the Scenes, Getty Conservation Institute

The Flawless L.A. Look

Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s
Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s

Conservation scientists are working with L.A. artists to conserve their delicate sculpture. More»

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Also posted in Art, Behind the Scenes, Getty Research Institute

Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

Untitled box / Robert Mapplethorpe
© Robert Mapplethorpe Foundation

A conservator’s view of a complex and unusual object by Robert Mapplethorpe. More»

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Also posted in Behind the Scenes, Getty Conservation Institute

Rings of Fire: Research at Synchrotron Facilities

Synchrotron Research Center
Late night at the Synchrotron Research Center in Stoughton, WI.

Conservation science never sleeps! And sometimes conservation scientists don’t either. What is it like to run experiments during the graveyard shift? More»

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Also posted in Behind the Scenes, Education, Getty Conservation Institute

Boot Camp for Conservators Explores X-Ray Fluorescence Spectrometry

XRF analysis of The Title Makers / Alfred Jensen
Artwork: Yale University Art Gallery

In a joint Yale-Getty program, conservators learn to harness physics to analyze art. More»

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Also posted in Ancient World, Getty Conservation Institute

Inside the Bulla Regia Model Field Project | Getty Voices

GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren
GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren

What does it take to preserve an entire ancient Roman structure? More»

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Also posted in Getty Conservation Institute, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Also posted in Architecture and Design, Behind the Scenes, Getty Conservation Institute

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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Also posted in Art, Getty Conservation Institute, Photographs, Film, and Video, Publications, Research

Getty Conservation Institute Releases Critical New Resource for Conserving Historic Photographs

An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection.
An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection

This new digital publication offers science-based tools to identify how photographs were made. More»

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Also posted in Education, Getty Conservation Institute, Voices

Getty Voices: Preserving the Photographs of the Middle East

Cairo
© Fouad Debbas Collection

Training a new generation of museum professionals to preserve the rich photographs collections of the Middle East. More»

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      Grab a glass (and some for your friends), it’s International Beer Day

      "Welcome to my houseput me to your lips and drink me drydon’t take contentment away.” Inscription on Filigrana Beaker

      Ewer, Chinese porcelain 1662 - 1722, French mounts 1700 - 1710. J. Paul Getty Museum.
      Goblet with the Arms of Liechtenberg, 1500 - 1530, Probably Bohemian. J. Paul Getty Museum.
      Ice-glass Beaker, late 1500s or early 1600s, Dutch. J. Paul Getty Museum.
      Covered Filigrana Beaker (Stangenglas),1550-1600, mount about 1710-1712. J. Paul Getty Museum.

      08/01/14

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