About: Sean Charette

I'm a project specialist with the Getty Conservation Institute (GCI), where I and my colleagues in the Education Department develop education activities and resources for conservation professionals. I earned an M.A. in the conservation of historic and archaeological objects from the University of Durham, UK, and have worked as a conservator for the Institute of Nautical Archaeology in Alexandria, Egypt; the Museum of Fine Arts, Boston; and the Museum of the Aleutians in Alaska. I've been with the GCI since 2007.

Posts by Sean

Posted in Conservation, Exhibitions and Installations, Getty Conservation Institute, Getty Foundation, Sculpture and Decorative Arts

Cambodia’s Enduring Mystery

Shiva's Bull, Nandin.  The National Museum of Cambodia.

The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the Khmer… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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