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Labeling Turner

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an...

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Apollo’s Drapery: An Unfolding Puzzle

A new exhibition opening at the Getty Villa, Apollo from Pompeii: Investigating an Ancient Bronze, marks the completion of an 18-month conservation project that developed in collaboration with the Museo Archeologico Nazionale in Naples. The exhibition presents the different...

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Cambodia’s Enduring Mystery

The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the...

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Deciphering the Getty Hexameters

Scholars from as far away as England and Holland and as near as Westwood recently gathered at the Getty Villa to decipher and discuss an enigmatic ancient Greek text inscribed on a now-fragmentary lead tablet. These so-called “Getty Hexameters”...

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Six Questions for Peter Greenaway

For our Getty Perspectives lecture series, filmmaker Peter Greenaway came to speak about his new work creating immersive environments inspired by masterpieces of European painting. At the event, and on Facebook and Twitter, we put out the call for...

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A Close Look at the Agrigento Youth

The Agrigento Youth, a Greek sculpture carved almost exactly 2,500 years ago, is wintering at the Getty Villa. It’s the second work from the Museo Archeologico Regionale in Agrigento, Sicily, to visit the Villa on loan, following the Gela...

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Finding the Grace in Trees

The relationship between the individual tree and the scene or the event depicted is what is interesting to see and to understand. Each photo tells a unique story. Trees are sometimes so old, they have seen so much. Trees don’t wait for the photographer to be beautiful or expressive, they just are.

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