Eleven teachers enter an underground room at the Getty Villa. In a space with wooden crates marked “fragile” sits a large table. They are asked to put on latex gloves as an aura of anticipation fills the air. “When...
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What do you do at the Getty? I’m an objects conservator at the Getty Research Institute. The GRI houses a vast research library, with all sort of material relating to art history. Our special collections contain photographs, prints and...
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Eighteen months ago we at the Getty Research Institute decided to give our website a complete overhaul. A small group formed and spent the first three months looking through hundreds and hundreds of pages on our site. We talked,...
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On Saturday, October 23, the Getty Research Institute participated in the 5th Annual Archives Bazaar. Organized by L.A. as Subject, a USC-hosted research alliance dedicated to improving the visibility, access, and preservation of primary sources of Los Angeles history,...
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As the Getty Museum’s senior curator of paintings, I feel it is incumbent on me to walk through the galleries almost every day, speaking with the security officers and other staff and watching how the public looks at the...
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Kathryn Gleason is an expert on Roman gardens and a pioneer in the field of garden archaeology, an exciting and relatively new field. In advance of her lecture on Roman gardens this Saturday at the Getty Villa, she spoke...
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On the occasion of head preparator Bruce Metro’s retirement today from the Getty Museum after 31 years, chief registrar Sally Hibbard and senior conservator for antiquities Jerry Podany, also longtime Getty employees, sat down to discuss Bruce’s impact on...
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Pamela Reed rips into the role of murderous queen Clytemnestra in Sophocles’ Elektra with gusto. She creates a character that reviewers have described as despicable, divalike, suave, snarky, and imperious—in short, a perfect and delicious villain. In this video,...
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“I will not participate in that patriarchy!” That was Olympia Dukakis’s reaction, almost 25 years ago, when director Carey Perloff approached her about starring as Clytemnestra in Ezra Pound’s translation of Elektra. Today’s production—with a text by acclaimed female...
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“Gérôme forged narrative practices that would take the cinema decades to invent,” art historian Marc Gotlieb told a packed auditorium recently in a discussion of The Spectacular Art of Jean-Léon Gérôme, which closes this Sunday. Really? How could a...
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After a cool early summer, toasty picnic weather has finally arrived in L.A. The Getty is a great place for outdoor eats—this weekend, the Center is open Saturday and Sunday, and the Villa is open all three days, including...
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What is your job at the Getty? I’m an education specialist for family programs. Since I came to the Getty Villa in 2008, I’ve been building programs that appeal to parents and kids. There’s also a healthy new education...
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