How do you hold a “secret exhibition”? In 1957, Los Angeles artist George Herms did just that, setting up his assemblage sculptures among the foundation blocks of a row of demolished buildings in Hermosa Beach. The show wasn’t publicized,...
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Spin control—it’s been around for centuries. Louis XIV, king of France from 1660 to 1715, was a master at it, using art—especially the work of his court painter, Charles Le Brun—to create and perpetuate a glorified image of his...
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On April 24, Italian businessman and eminent contemporary art collector Count Giuseppe Panza di Biumo, whose papers are held at the Getty Research Institute (GRI), passed away at the age of 87 in Milan, Italy. The first European collector...
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A 2,400-year-old comedy. One week to work on it. Oh yeah—and it’s a musical. The Getty Villa is a hotbed of new ideas about very old theater. In the new Villa Play-Reading Series, translations and adaptations of classical plays...
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This spring the Museum is offering a feast of tours and courses about food in art. Nancy Real and Lilit Sadoyan, two gallery teachers, agreed to give me a taste. We went straight to the magnificent Machine d’argent by...
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We’ve asked our Museum educators, who work in the galleries and get to know the art as intimate friends, to let us in on lesser-known objects they especially love—and that we ought to explore. First up are three relief...
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During the late 19th century, John Singer Sargent (1856–1925) was the most fashionable portrait painter in England and the United States. An example of his iconic style, his Portrait of Thérése, countess Clary Aldringen (1896) is now on view...
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