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A New Look at Chinese Art

For 25 years the Getty Research Institute has been inviting scholars from around the world to visit, do research, and ask provocative questions. During his recent stay, Zhu Qingsheng (LaoZhu), director of the Center of Visual Studies at Peking...

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The Moment of Alliums

It is the week of return—of the vernal equinox, and of the shooting stars—the blue blue-violet alliums in Robert Irwin’s Central Garden at the Getty Center. We’ve been waiting. In late-ish February, green shoots began rocketing from the rich...

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The Buddha in Medieval Europe

What does a 12th-century bronze sculpture from Cambodia have in common with a 15th-century manuscript from Germany?  Both, surprisingly, relate to the story of the Buddha. The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia is...

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Labeling Turner

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an...

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Apollo’s Drapery: An Unfolding Puzzle

A new exhibition opening at the Getty Villa, Apollo from Pompeii: Investigating an Ancient Bronze, marks the completion of an 18-month conservation project that developed in collaboration with the Museo Archeologico Nazionale in Naples. The exhibition presents the different...

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