Neon Hitmen
Tokyo Drifter, screening this weekend, “smacks you in the face with a bucket of WTF paint.”
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Getty Voices: Getty Gone Wild
Photographic encounters with deer, birds, butterflies, and other wildlife of the Getty.
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Publishing German Sales, A Look under the Hood of the Getty Provenance Index
Incorporating Nazi-era sales catalogs into the Getty Provenance Index took a small team about two years. Here’s how they did the work.
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Getty Voices: The Social Museum
How do we make ourselves more social, more innovative, less afraid of failure?
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Getty Voices: Seduction in Ancient Rome
Ovid's Ars Amatoria serves up the rules of ancient Roman dating and sex—some hilarious, some mildly horrifying.
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Ask Him Anything! Jim Cuno on Reddit This Monday
Jim takes on Reddit.
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Finding Beauty in L.A.’s Visual Clutter
Hulking public works and messy storefronts are the essence of L.A. architecture. Here’s why you should love them.
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Long Live Tiki, the Whimsical Soul of Midcentury Modern
Tiki is the style that refuses to die, and its endurance tells us something about Southern California design.
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Getty Voices: Classics 2.0
The real ancient world of Greece and Rome was colorful, human, and messy.
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Getty Voices: The Ancient Funny
Stop me if you've heard this one before: A Greek, a Roman, and a priest walk into a bar...
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Harry Smith’s Archives and Collections Now at the Getty Research Institute
Best known for his experimental films and his anthology of American folk music, Harry Smith was a fascinating multidisciplinary artist and avid collector.
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Risk, Collaborate, Tweet: Charting Next Steps in Digital Humanities at the Getty
What should we do to move forward in digital humanities?
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