This Saturday, October 22, the Getty Museum is teaming up with the Archaeological Institute of America to celebrate National Archaeology Day. The Villa, with its Roman-inspired architecture and gardens and collection of Greek, Roman, and Etruscan antiquities, is a...
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Artists’ studios aren’t generally thought of as meditative places. The stereotype is one of disarray—an image comes to mind of paintbrushes, sculpting tools, or other instruments of the trade strewn about a room, as if to signal an unruly...
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The 13th-century illuminated manuscript known as the Abbey Bible recently joined the collection of the Getty Museum—and when the special book arrived, the task of documenting it fell to me. This meant I had to spend a lot of...
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In the exhibition Narrative Interventions in Photography, opening October 25, contemporary photographers Eileen Cowin, Carrie Mae Weems, and Simryn Gill present works that explore the subjectivity of storytelling and the slipperiness of truth. Cowin’s large, color photographs pair images—including...
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The life of a painting can be pretty unpredictable. Some are constantly on the move, reaching different parts of the world as they travel through time. When I started at the Getty as an intern, I had only recently...
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During my work as a Multicultural Undergraduate Intern at the Getty this summer, I was invited to join colleagues from the Getty Research Institute on a visit to artist Thomas Demand’s studio in Culver City. It was a memorable...
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In the ocean, a crosscurrent runs across the main flow, stirring things up. Similarly, you can see different artistic movements, crossing each other from a variety of directions, in the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture,...
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Where is the line between private and public? Each situation has a different answer—and sometimes many different possible answers. As an example, take this painting by Henri de Toulouse-Lautrec. Lautrec portrays a woman seen from above and behind as...
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As a new school year begins, we’re excited to launch the third season of Art Together, which invites local students and teachers to visit the Getty Center three times over the course of the year. Following last year’s program,...
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George Herms is known for his poetic assemblages of discarded, disheveled materials. But back in the ’60s, he had preoccupations besides art: he was “tapped out”—that is, broke and ready to tap-dance on street corners for cash—and facing eviction....
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I never expected to witness an evening combining British artists Aubrey Beardsley and Thomas Girtin, goth-rocker Marilyn Manson, Ugly Betty, six contemporary American poets, Stonehenge, improvisational bassist Roberto Miranda, William Blake, and the exhumed body of a Pre-Raphaelite model....
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This week, several of my colleagues and I had the pleasure of welcoming to the Getty Villa the Minister of Culture and Tourism for the Hellenic Republic, Pavlos Yeroulanos. The purpose of his visit was to join our President...
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