We’re all familiar with the X-rays used to take images of people’s bones and teeth at medical and dental facilities. But did you know this same technology can also be used to examine the internal structures of museum objects?...
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Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior...
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Bridging the visions of Le Corbusier and Lucien Hervé.
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One of the most influential sculptors active in Los Angeles in the 1960s and 1970s, De Wain Valentine is perhaps best known for his striking, semitransparent, and delicately colored large-scale polyester resin sculptures of simple geometric forms that interact...
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We use the word “marginal” to dismiss something as unimportant or trivial. But images in the margins of medieval books are so important they get their own name, marginalia, a Latin term that simply means “things in the margins.”...
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As Californians, we are well aware of the damage that results from earthquakes, even in new buildings constructed with modern materials. But what happens to historic buildings made of earthen materials such as adobe? These structures can be particularly...
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If you visited the Getty Villa during the week of July 25 and thought you overheard people speaking Latin, you weren’t imagining things. That week, we at the Getty Villa were proud to invite a group of 14 high school...
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This morning we launched a new website dedicated to Los Angeles art from 1945 to 1980. Here you can get acquainted with Pacific Standard Time, the region-wide collaborative project that will tell the story of the L.A. art scene...
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“People don’t understand why Trojan Women is such a great play, because they say nothing happens,” says director Anne Bogart, explaining why SITI Company chose to adapt the ancient drama for this year’s outdoor theater production at the Getty Villa....
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The Getty Center is one of few places in the United States where you can see medieval and Renaissance illuminated manuscripts year-round. With three or four exhibitions per year drawn almost exclusively from the permanent collection, in addition to major...
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In the 1700s, the seeds of a new style of presenting works of art—both on the wall and on the page—were planted by a German prince. I talked with Louis Marchesano, curator of prints and drawings at the Getty...
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If you’ve used the Getty’s website, you may be aware of the wealth of resources about the visual arts to be found across its pages. You may also have discovered several tools that make it possible to search specific repositories—from...
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