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Curating The Aztec Pantheon

The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As...

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Soccer and Opera: A Common History?

The World Cup kicks off today in South Africa, and the international mania for soccer—sometimes known as “the beautiful game’’—put me in mind of one of the many interesting treasures held in the collections of the Getty Research Institute....

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Geoff Dyer Is Not a Bore

When British author Geoff Dyer came to speak at Zócalo Public Square at the Getty Museum, he was prepared to be a bore. “It’s going to be the classic definition,” he said, “the bore, the person who lectures you...

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Leonardo da Vinci, Anatomist

Leonardo da Vinci worked for 25 years on a complete guide to the human form that would have transformed the study of anatomy in Europe. But the project was never finished and the notes were all but lost for...

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Royal Propaganda, from Prints to Pixels

Spin control—it’s been around for centuries. Louis XIV, king of France from 1660 to 1715, was a master at it, using art—especially the work of his court painter, Charles Le Brun—to create and perpetuate a glorified image of his...

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SCVNGR Hunts in L.A. Museums

The American Association of Museums annual conference is in Los Angeles this week. In between sessions and schmoozing, AAM is hoping that conference attendees will have some fun playing games! To that end, AAM invited Kellian Adams, museum maven...

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Art Circles—Better than Bowling

On a recent Saturday night, nearly 20 visitors tried to make sense of a huge, mysterious painting in the Getty Center’s Flemish gallery. Mysterious, because our leader, Lilit Sadoyan, had covered up the painting’s accompanying wall text. We were...

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