In the exhibition Narrative Interventions in Photography, opening October 25, contemporary photographers Eileen Cowin, Carrie Mae Weems, and Simryn Gill present works that explore the subjectivity of storytelling and the slipperiness of truth. Cowin’s large, color photographs pair images—including...
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The Getty has just acquired photographs by Ed Ruscha. Seventy-four prints, including depictions of gas stations from Los Angeles to Oklahoma City along Route 66, sidewalk views of buildings that were included in his self-published books Some Los Angeles Apartments...
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The life of a painting can be pretty unpredictable. Some are constantly on the move, reaching different parts of the world as they travel through time. When I started at the Getty as an intern, I had only recently...
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During my work as a Multicultural Undergraduate Intern at the Getty this summer, I was invited to join colleagues from the Getty Research Institute on a visit to artist Thomas Demand’s studio in Culver City. It was a memorable...
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In the ocean, a crosscurrent runs across the main flow, stirring things up. Similarly, you can see different artistic movements, crossing each other from a variety of directions, in the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture,...
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Where is the line between private and public? Each situation has a different answer—and sometimes many different possible answers. As an example, take this painting by Henri de Toulouse-Lautrec. Lautrec portrays a woman seen from above and behind as...
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As a new school year begins, we’re excited to launch the third season of Art Together, which invites local students and teachers to visit the Getty Center three times over the course of the year. Following last year’s program,...
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George Herms is known for his poetic assemblages of discarded, disheveled materials. But back in the ’60s, he had preoccupations besides art: he was “tapped out”—that is, broke and ready to tap-dance on street corners for cash—and facing eviction....
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We’re all familiar with the X-rays used to take images of people’s bones and teeth at medical and dental facilities. But did you know this same technology can also be used to examine the internal structures of museum objects?...
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Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior...
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One of the most exciting aspects of curatorial work is the privilege of bringing you great works of art that were rarely seen before their acquisition by the museum. Case in point: the Stammheim Missal, one of the greatest...
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We use the word “marginal” to dismiss something as unimportant or trivial. But images in the margins of medieval books are so important they get their own name, marginalia, a Latin term that simply means “things in the margins.”...
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