Photographer April Rocha sent us an excited e-mail a while ago, sharing her enthusiasm for the Diana camera, which she noticed was available at the Museum Store at the Getty Center. We asked her to tell us more, and...
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Old media artifacts like silent films are traditionally thought of as being windows into their individual moments in time. But when they portray another era still—like the ancient world—they serve as a kind of mirror, telling the story of...
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Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of...
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We were about to go see gallery teacher Audrey Chan’s favorite artwork in the whole museum. “What are the some of the rules we need to follow in the galleries?” she asked the 15 parents and children who crowded...
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The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As...
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When British author Geoff Dyer came to speak at Zócalo Public Square at the Getty Museum, he was prepared to be a bore. “It’s going to be the classic definition,” he said, “the bore, the person who lectures you...
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How do people of different faiths read, interpret, and depict the sacred texts known in the Christian tradition as the Old Testament? Come explore the question with us this Sunday as Reverend Alexei Smith, director of the Office of...
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Leonardo da Vinci worked for 25 years on a complete guide to the human form that would have transformed the study of anatomy in Europe. But the project was never finished and the notes were all but lost for...
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Spin control—it’s been around for centuries. Louis XIV, king of France from 1660 to 1715, was a master at it, using art—especially the work of his court painter, Charles Le Brun—to create and perpetuate a glorified image of his...
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Education is at the heart of a museum’s mission. You want to know what you’re looking at, and we want to tell you—through object labels, audio tours, videos, brochures, Web sites, and public programs. But is this really education?...
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It’s one thing to see a writer read her own work, but when someone else gets their hands on it, the fluid dynamic between story and storyteller is revealed. How much is the reader outside of the story, telling...
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Many types of plastic used in artworks are now beginning to exhibit serious signs of deterioration – discoloration, crazing and cracking, warping, becoming sticky, and in extreme cases, turning completely to powder. The sheer number of plastics available constitutes a huge challenge for the conservation profession.
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