Digging for fire at the Getty Research Institute’s recent symposium Vivísimo Muerto: Debates on Surrealism in Latin America, I recalled Guillaume Apollinaire’s thoughts on what I believe to be the essence of Surrealism: “When man wanted to make a...
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Many first-time visitors to the Getty Center disembark the tram at the top of the hill, take one look around, and wonder out loud, “What’s in all of these buildings?” Our new orientation film—also available in Spanish here—aims to...
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This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up...
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This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a...
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Mexican cooking as we know and love it in the U.S.—moles, carne asada, burritos, cafe con leche, loads of melty cheese—would have been unrecognizable to the Aztecs. They didn’t have cows, pigs, sugar, cheese, butter, cinnamon, or wheat. They...
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Texting a story, talking with pictures, taking a color tour, mapping a lunchroom: these are some of the activities included in a new set of online materials for K–12 teachers and their students. Open Studio: A Collection of...
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How do you make a movie about Edward Hopper? The artist—famous for his haunting and enigmatic paintings such as Nighthawks and New York Movie—was conspicuously taciturn, speaking little about his work, giving few interviews, and keeping to a small...
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The films we screen at the Getty go hand in hand with the art on view. Curating film series related to exhibitions is exciting, but it can also be challenging. How, for example, do you plan a movie event...
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Once a year, light and shadows align.
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Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of...
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We were about to go see gallery teacher Audrey Chan's favorite artwork in the whole museum. "What are the some of the rules we need to follow in the galleries?" she asked the 15 parents and children who crowded...
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I sat down last Wednesday night with some trepidation to watch the premiere of Bravo’s new reality show Work of Art: The Next Great Artist. For most artists and arts professionals, the show was a harrowing prospect—how can the...
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