Ancient Sicilian Coins: Miniature Masterpieces, Full-Scale Challenges
The designer of the Sicily exhibition at the Getty Villa reveals the challenges of displaying small, double-sided, intricate objects—coins.
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Harry Smith’s Archives and Collections Now at the Getty Research Institute
Best known for his experimental films and his anthology of American folk music, Harry Smith was a fascinating multidisciplinary artist and avid collector.
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Getty Voices: Looking East, Looking West
“Looking East” established a platform for international dialogue around art, history, and cultural exchange.
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Which Way, Digital_Humanities?
“Ours is an era in which the humanities have the potential to play a vastly expanded creative role in public life.” Will they?
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Getty Voices: Looking Closely
How, and why, we made an exhibition with only four objects.
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Getting “CAM-my” with Alumni of the Getty Internship Program
An alumna of the Foundation’s Multicultural Undergraduate Internship Program reflects on making and sustaining connections.
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Getty Voices: It’s Time to Rethink and Expand Art History for the Digital Age
A conversation on expanding digital art history.
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Getty Voices: Rethinking Art History
In the digital age, is art history still relevant?
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Getty Voices: Renaissance Gardens
A virtual stroll through Renaissance gardens via illuminated manuscripts.
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Six Questions for Art Detective Victoria Reed
What does a provenance researcher do? And how does she do it?
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Getty Voices: The Forgotten Surrealist
"A feeling of surprise, even disbelief, that someone so unique could have remained unknown to us for so long."
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Write the Opening Line to Vermeer’s “Lady in Blue”
What do you think the first line of this letter might say? Share your ideas.
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