Aphrodite and the Gods of Love

Posted in Antiquities, Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

From Malibu to Cyprus and Back Again

Cindy Crawford, Ferre 3 Malibu / Herb Ritts

Having spent a good deal of time with Aphrodite of late, I found in Herb Ritts: L.A. Style a real feast—not just for the eyes, but for the mind. The two exhibitions overlap in their focus on the seductive allure… More»

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Posted in Antiquities, Art, Getty Villa, J. Paul Getty Museum

Sleeping with Aphrodite

Relief with a Man and a Siren / Roman

One of the most enjoyable aspects of curating an exhibition is serendipity. Not to say these projects aren’t carefully planned (far from it), but sometimes the physical relationship of two artworks will coincide in an unexpectedly fortuitous way, or a… More»

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Posted in Antiquities, Behind the Scenes, Education, Getty Villa, J. Paul Getty Museum

Imagine a Teenager’s Museum

Teenage apprentices discuss the Roman marble of Leda and the Swan in the Temple of Herakles at the Getty Villa

I have the pleasure of running the Getty Villa Teen Apprentice Program (ViTA). Each year our goal is to open the museum from top to bottom to young people interested in the arts and introduce them to the variety of… More»

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Posted in Ancient World, Antiquities, Art, Exhibitions and Installations, Getty Villa, J. Paul Getty Museum

Eros, the Naughty Superhero of Love

Eros Wearing a Lionskin / Greek

Did you receive a Valentine’s card today? Take a second look at those cartoon Cupids. They derive, in their own way, from ancient Greece and Rome, but might not be so cute as they first appear. Then as now, Cupid’s… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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