French art

Posted in J. Paul Getty Museum, Sculpture and Decorative Arts

A Bronze God for the Sun King

Belvedere Antinous - detail of head and torso / Tacca
Belvedere Antinous (detail), about 1630, attributed to Pietro Tacca. Bronze, 25 1/2 in. high. The J. Paul Getty Museum, 2014.40

Travels of a bronze Hermes, from Florence to Paris to L.A. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

A Glimpse into the Sun King’s Private World

Ivory writing table (detail)
Detail showing the ivory and painted horn

An unusual table once owned by Louis XIV offers a peek into a king’s private world. More»

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Posted in Art, Getty Center, Sculpture and Decorative Arts

Mirror Selfies and Art History

Selfie by Philippe Halbert
Art historian selfie ft. the author

Neoclassical selfies? Check. More»

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Posted in J. Paul Getty Museum, Sculpture and Decorative Arts

Marie-Antoinette’s Swiveling Armchair Is the New Centerpiece of Neoclassical Furniture Gallery

Neoclassical furniture gallery at the Getty Center
Marie-Antoinette's chair (at right) in the newly reinstalled Gallery S114

Marie-Antoinette’s armchair gets the royal treatment. More»

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Posted in J. Paul Getty Museum, Paintings

This Just In: Édouard Manet’s “Spring”

Spring (Jeanne Demarsy) / Manet
Spring (Jeanne Demarsy), 1881, Édouard Manet. Oil on canvas, 29 1/8 x 20 ¼ in. The J. Paul Getty Museum

For Manet, fashion and the femininity were metaphors for the skilled artifice of painting itself. More»

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Posted in Behind the Scenes, Getty Research Institute, Manuscripts and Books, Miscellaneous

What Do Paleographers Do?

paleography_featured

It’s nothing to do with fossils—paleographers are specialists in old handwriting. More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

What Time Is It? In the Collection, It’s Always 10:10

Wall Clock / Andre-Charles Boulle
Wall Clock, about 1710, attributed to André-Charles Boulle. Gilt bronze veneered with blue painted horn and brass; enameled metal; glass. 2 ft. 4 in. high. The J. Paul Getty Museum, 73.DB.74

For the clocks in the Getty Museum’s collection, time stands eternally still. More»

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Posted in J. Paul Getty Museum, Paintings

Fragonard’s “Fantasy Portrait” of Dashing French Duke on Temporary Loan

François-Henri, Duke of Harcourt / Jean-Honoré Fragonard

A delightfully jaunty visitor has alighted for a long-term visit at the Getty Center: François-Henri, Duke of Harcourt (1726–1802), in a portrait by Fragonard. Dashing in sea-green velvet, with a white ruff and red cape, the duke holds a feathered… More»

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Posted in Behind the Scenes, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

18th-Century Art for the 21st-Century Classroom

Participants at the Getty Museum's Art and Language Arts alumni event - August 11, 2012

Students are often lectured at, asked to receive information and not question what is being said. As a college student, I’ve experienced this first-hand. This summer, I got to explore more creative approaches to learning as part of the team… More»

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Posted in Education, J. Paul Getty Museum, Sculpture and Decorative Arts

A Strange and Wonderful Vase at Family Art Lab

Vase - detail of cast-bronze snails / Jean-Desire Ringel d’Illzach

This summer I’ve been helping to facilitate Family Art Lab, a weekend program at the Getty Center that combines a gallery exploration with hands-on art making in the Museum Courtyard. Through September 2, we’re offering a two-part experience centered around… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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