MOCA

Posted in Art

Yes, Art Really Is Hard Work

Grave Relief of a Silversmith / Roman
Grave Relief of Publius Curtilius Agatus, Silversmith, A.D. 1–25, Roman. Marble, 31 7/16 x 23 1/16 x 12 1/2 in. The J. Paul Getty Museum, 96.AA.40. Bruce White Photography

In honor of Labor Day, a tribute to the hard work of artists throughout the centuries. More»

Also tagged , , , 2 Responses
Posted in Art, Getty Research Institute

Treasures from the Vault: Beatrice Monti della Corte and the Americans

Beatrice Monti della Corte (detail) / Alexander Liberman
Beatrice Monti della Corte (detail), 1962, Alexander Liberman. The Getty Research Institute, 2000.R.19

The glamorous owner of the Galleria dell’Ariete in Milan was key to the careers of Robert Rauschenberg and Jasper Johns, among many others. More»

Also tagged , , , , , , , , , , Leave a comment
Posted in Architecture and Design, Getty Foundation, Philanthropy

New SCI-Arc Media Archive Allows Forward-Oriented Institution to Look Back

Frank O. Gehry from the SCI-Arc Media Archive

On an elegant white background, I see familiar faces, many of whom are much younger and in their prime: Charles and Ray Eames in black and white; a dark-haired, mustachioed Frank Gehry; and Reyner Banham, the keen observer of early-1970s… More»

Also tagged , , , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

  • Flickr