Conserving Mosaics in the Field: Challenges and Rewards
Update: video of this lecture is available here. Amid the moon-like landscape of the Sinai, the Holy Monastery of Saint Catherine has stood unfailing... Read More
preservation
Labeling Turner
Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated... Read More
What Do You Mean, “Sustainability and Cultural Heritage”?
When I talk about the importance of sustainability and cultural heritage, most people nod their heads—we’ve all heard the word “sustainable” in terms of... Read More
Career Profile: Albrecht Gumlich, Objects Conservator
What do you do at the Getty? I’m an objects conservator at the Getty Research Institute. The GRI houses a vast research library, with... Read More
What Does Plastic Have to Do with Art?
Many types of plastic used in artworks are now beginning to exhibit serious signs of deterioration – discoloration, crazing and cracking, warping, becoming sticky, and in extreme cases, turning completely to powder. The sheer number of plastics available constitutes a huge challenge for the conservation profession.
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