Renaissance

Posted in Art, Scholarship

Global Pathways through Medieval Manuscripts and the Modern Museum

Global inspiration from the Getty permanent collection.
Global inspiration from the Getty permanent collection.

Contextualizing early book arts in world history. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

Depicting the Sacred through Fabric

Studies of Christ’s Loincloth / Master of the Coburg Roundels
Studies of Christ’s Loincloth, about 1490, Master of the Coburg Roundels. Pen and brown and black ink with brown and gray wash, 11 x 8 1/8 in. The J. Paul Getty Museum, 93.GA.10

What is this unusual drawing all about? More»

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Posted in Art, Behind the Scenes, Getty Research Institute

A Beginner’s Guide to the Renaissance Book

Page in Liber amicorum
Page in Liber amicorum, 1602–12, Johann Heinrich Gruber. The Getty Research Institute, 870108. See full digitized book

A tour of the early printed page. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

Andrea del Sarto’s Seductive Saints

Saint John the Baptist / Andrea del Sarto
Istituti museali della Soprintendenza Speciale per il Polo Museale Fiorentino. Su concessione del Ministero dei beni e delle attività culturali e del turismo

Why Renaissance artists rendered sacred bodies beautiful and erotic. More»

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Posted in J. Paul Getty Museum, Paintings, Prints and Drawings

A Renaissance Mystery, from a Marriage to a Sacrifice

The Sacrifice of Isaac / Andrea del Sarto
Gemäldegalerie Alte Meister, Dresden

A chance discovery within an Andrea del Sarto panel. More»

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Posted in J. Paul Getty Museum, Prints and Drawings

The Secrets of Renaissance Creativity

Studies of Figures behind a Balustrade / Andrea del Sarto
Studies of Figures behind a Balustrade (detail), about 1522, Andrea del Sarto. Red chalk, 6 7/8 x 7 7/8 in. The J. Paul Getty Museum, 92.GB.74

A curator’s take on Andrea del Sarto. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

The Rise and Fall of a Court Artist in Renaissance Italy

Initial A: Young Christ Blessing (detail) from Antiphonal P of San Giorgio Maggiore, Belbello da Pavia, about 1467-1470. The J. Paul Getty Museum, Ms. 96, verso
Initial A: Young Christ Blessing (detail) from Antiphonal P of San Giorgio Maggiore, Belbello da Pavia, about 1467-1470. The J. Paul Getty Museum, Ms. 96, verso

The unusual life tale of Renaissance illuminator Belbello da Pavia More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Parallel Exhibitions on Renaissance Courts

Initial L: The Nativity, Master B. F., about 1542–45. Archivio Storico Civico e Biblioteca Trivulziana, Milan
Corale A, fol. 33 (© Comune di Milano. All rights reserved.)
Initial L: The Nativity, Master B. F., about 1542–45. Archivio Storico Civico e Biblioteca Trivulziana, Milan Corale A, fol. 33 (© Comune di Milano. All rights reserved.)

Los Angeles and Milan host parallel exhibitions of illuminated manuscripts. More»

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Posted in Behind the Scenes, Getty360, J. Paul Getty Museum

How to Eat Like a Renaissance Courtier

Armorial Dish with the Flaying of Marsyas
This istoriato plate bears the coat of arms of the Brescian Calini family and presents the myth of a musical contest between Apollo and the satyr Marsyas. Armorial Dish with the Flaying of Marsyas, mid-1520s, Nicola da Urbino. Tin-glazed earthenware, 2 1/4 x 16 5/16 in. The J. Paul Getty Museum, 84.DE.117

What did the Renaissance Italians really eat? More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

A Manuscript Collector’s Perspective

What draws an art collector to focus on Renaissance manuscripts? More»

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