women

Posted in Ancient World, Antiquities, Getty Villa

No Pain, No Rogaine: Hair Loss and Hairstyle in Ancient Rome

Bust of a Flavian Woman / Roman
Bust of a Flavian Woman, Roman, late 1st century. Marble, 26 ¾ in. high. The J. Paul Getty Museum, 73.AA.13

Hairy adventures of the ancient Romans. More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Photographs, Film, and Video

Inside the Photography of Ishiuchi Miyako

Ishiuchi photographs a detail of the jacket
Ishiuchi photographs a detail of the jacket

70 years later, the Hiroshima bombing gives rise to hopeful art. More»

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Posted in J. Paul Getty Museum, Paintings

This Just In: Édouard Manet’s “Spring”

Spring (Jeanne Demarsy) / Manet
Spring (Jeanne Demarsy), 1881, Édouard Manet. Oil on canvas, 29 1/8 x 20 ¼ in. The J. Paul Getty Museum

For Manet, fashion and the femininity were metaphors for the skilled artifice of painting itself. More»

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Posted in Ancient World, Antiquities, Voices

Seduction in Ancient Rome

Roman fresco with banquet scene from the Casa dei Casti Amanti, Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, author: Wolfgang Rieger
Roman fresco with banquet scene from the Casa dei Casti Amanti, Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, author: Wolfgang Rieger

Ovid’s Ars Amatoria serves up the rules of ancient Roman dating and sex—some hilarious, some mildly horrifying. More»

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Posted in Ancient World, Antiquities, Getty Villa, Voices

Getty Voices: Classics 2.0

pompeii_graffiti_featured

The real ancient world of Greece and Rome was much like our own: colorful, human, and messy. The Villa Teen Apprentices take it on. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Paintings

Write the Opening Line to Vermeer’s “Lady in Blue”

Detail of woman's face and letter in Woman in Blue Reading a Letter / Vermeer
Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest)

What do you imagine the first line of this letter might say? Share your ideas, and we’ll continue the story. More»

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Posted in Exhibitions and Installations, Photographs, Film, and Video

Carré Otis on Herb Ritts and Women

Carré in Profile, Paradise Cove / Herb Ritts

You’ve seen them on billboards, magazines, and TV—images of young, thin, overtly seductive women posed to sell. Herb Ritts photographed the world’s top models for ads and fashion spreads, but his women are different. Though beautiful, they have strength and… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Cult of Klimt

Study for the Figure of Lasciviousness (Beethoven Frieze) / Gustav Klimt
Study for the Figure of "Lasciviousness" (Beethoven Frieze), 1901, Gustav Klimt. Black Chalk. Albertina, Vienna, Gift of Elisabeth Lederer

July 14 marks the 150th anniversary of Gustav Klimt’s birth, an event celebrated by exhibitions and events in Vienna and right here at the Getty, with Gustav Klimt: The Magic of Line. This summer, we are in the grips of… More»

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Posted in Research

Why Have There Been No Great (Wikipedia Articles on) Women Artists?

Sign for an edit-a-thon at the Wikimedia Foundation in San Francisco reading Welcome Wikipedians: Mind the Gap

What’s the top hit when you google Louise Nevelson, Dorothea Lange, or Betye Saar? Wikipedia, of course. The online encyclopedia anyone can edit, Wikipedia features 22 million articles edited by 1 million+ volunteer editors in 285 languages. Of those editors,… More»

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Posted in Antiquities, Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

From Malibu to Cyprus and Back Again

Cindy Crawford, Ferre 3 Malibu / Herb Ritts

Having spent a good deal of time with Aphrodite of late, I found in Herb Ritts: L.A. Style a real feast—not just for the eyes, but for the mind. The two exhibitions overlap in their focus on the seductive allure… More»

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      Made with sweat and tears, literally

      Matthew Brandt incorporates the elements of his subject into the making—or unmaking—of his photographs. From lake water to sweat to saliva to tears, particles of the world in which he photographs influence the making of the print. 

      His photographs are now on view (with 5 other contemporary photographers) in Light, Paper, Process open through September 6.


      Rainbow Lake, WY A4, negative 2012; print 2013, Matthew Brandt. Chromogenic print, soaked in Rainbow Lake water, 30 x 40 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.16.2. © Matthew Brandt

      Will, 2007, Matthew Brandt. Salted paper print with tears, 2 5/8 x 2 in. Courtesy of the artist, Yossi Milo Gallery, New York and M+B Gallery, Los Angeles. © Matthew Brandt

      08/27/15

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