women

Posted in Ancient World, Antiquities, Art & Archives, Editor's Picks

Potions and Poisons: Classical Ancestors of the Wicked Witch, Part 1

Vessel with Leda and the Swan; Attributed to Painter of Louvre MNB 1148 (Greek (Apulian), active 350 - 330 B.C.); Apulia, South Italy; about 330 B.C.; Terracotta; 90.2 x 26 cm (35 1/2 x 10 1/4 in.); 86.AE.680
Vessel with Leda and the Swan; Attributed to Painter of Louvre MNB 1148 (Greek (Apulian), active 350 - 330 B.C.); Apulia, South Italy; about 330 B.C.; Terracotta; 90.2 x 26 cm (35 1/2 x 10 1/4 in.); 86.AE.680

The curious evolution of the witch in ancient literature. More»

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Posted in Architecture and Design, Art & Archives, Getty Research Institute

Women in Architecture Wikipedia Edit-a-thon at the Getty Research Institute

Architect Greta Magnusson Grossman photographed by Julius Shulman in 1959
Architect Greta Magnusson Grossman photographed by Julius Shulman in 1959

Join us October 15 to improve the coverage of women architects on Wikipedia. More»

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Posted in Ancient World, Antiquities, Art & Archives, Editor's Picks, Getty Villa

No Pain, No Rogaine: Hair Loss and Hairstyle in Ancient Rome

Bust of a Flavian Woman / Roman
Bust of a Flavian Woman, Roman, late 1st century. Marble, 26 ¾ in. high. The J. Paul Getty Museum, 73.AA.13

Hairy adventures of the ancient Romans. More»

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Posted in Art & Archives, Behind the Scenes, Editor's Picks, J. Paul Getty Museum, Photographs, Film, and Video

Inside the Photography of Ishiuchi Miyako

Ishiuchi photographs a detail of the jacket
Ishiuchi photographs a detail of the jacket

70 years later, the Hiroshima bombing gives rise to hopeful art. More»

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Posted in Art & Archives, J. Paul Getty Museum, Paintings, technology

This Just In: Édouard Manet’s “Spring”

Jeanne (Spring) / Manet
Jeanne (Spring), 1881, Édouard Manet. Oil on canvas, 29 1/8 x 20 ¼ in. The J. Paul Getty Museum

For Manet, fashion and the femininity were metaphors for the skilled artifice of painting itself. More»

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Posted in Ancient World, Antiquities, Art & Archives, Voices

Seduction in Ancient Rome

Roman fresco with banquet scene from the Casa dei Casti Amanti, Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, author: Wolfgang Rieger
Roman fresco with banquet scene from the Casa dei Casti Amanti, Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, author: Wolfgang Rieger

Ovid’s Ars Amatoria serves up the rules of ancient Roman dating and sex—some hilarious, some mildly horrifying. More»

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Posted in Ancient World, Antiquities, Art & Archives, Getty Villa, Voices

Getty Voices: Classics 2.0

pompeii_graffiti_featured

The real ancient world of Greece and Rome was much like our own: colorful, human, and messy. The Villa Teen Apprentices take it on. More»

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Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Paintings

Write the Opening Line to Vermeer’s “Lady in Blue”

Detail of woman's face and letter in Woman in Blue Reading a Letter / Vermeer
Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest)

What do you imagine the first line of this letter might say? Share your ideas, and we’ll continue the story. More»

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Posted in Art & Archives, Exhibitions and Installations, Photographs, Film, and Video

Carré Otis on Herb Ritts and Women

Carré in Profile, Paradise Cove / Herb Ritts

You’ve seen them on billboards, magazines, and TV—images of young, thin, overtly seductive women posed to sell. Herb Ritts photographed the world’s top models for ads and fashion spreads, but his women are different. Though beautiful, they have strength and… More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Cult of Klimt

Study for the Figure of Lasciviousness (Beethoven Frieze) / Gustav Klimt
Study for the Figure of "Lasciviousness" (Beethoven Frieze), 1901, Gustav Klimt. Black Chalk. Albertina, Vienna, Gift of Elisabeth Lederer

July 14 marks the 150th anniversary of Gustav Klimt’s birth, an event celebrated by exhibitions and events in Vienna and right here at the Getty, with Gustav Klimt: The Magic of Line. This summer, we are in the grips of… More»

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      Color for Healing

      This sanitorium (tuberculosis hospital) in Paimio, Finland, was designed by architect Alvar Aalto in the 1920s. Unlike many hospitals, it was full of bright colors—including welcoming yellow on the main stairs and calming green for ceilings above bedridden patients. Aalto even created special chairs to open the chest and speed healing.

      The building’s colors were mostly whitewashed later in the 20th century, but now—due to a grant from the Getty Foundation as part of its Keeping It Modern initiative—its colors are being reconstructed and the building preserved for the future.

      More of the story: Saving Alvar Aalto’s Paimio Sanitorium

      Pictured: Paimio Sanatorium, patients’ wing and solarium terraces. Photo: Maija Holma, Alvar Aalto Museum. A color model for Paimio Sanatorium interiors by decorative artist Eino Kauria. Photo: Maija Holma, Alvar Aalto Museum, 2016.Paimio chairs (Artek no 41) in the Paimio Sanatorium lecture room, 1930s. Photo: Gustaf Welin, Alvar Aalto Museum. Aino Aalto resting in a chair on the solarium terrace. Photo: Alvar Aalto, Alvar Aalto Museum, 1930s. Main stairs of Paimio Sanatorium. Photo: Maija Holma, Alvar Aalto Museum.

      04/30/16

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