“To really read into the fragment that you have in front of you and to imagine the rest of what was the whole text is really romantic and an enjoyment of tekagami viewing.”
The rise of tea drinking ceremonies during the Edo period (1615–1868) brought about another new cultural phenomenon: calligraphy albums. Called tekagami, or “mirror of hands,” these albums showcase calligraphy by 8th-century emperors, famed poets, and other illustrious figures from Japan’s past. The calligraphic samples are often fragmentary, containing a few lines of classical poetry, Buddhist sutras, or snippets from personal texts such as diaries and letters. These fragments gain meaning not only from their content and form, but, importantly, from their arrangement on and within the pages of tekagami. In March 2021 the Getty Research Institute gathered together scholars to discuss this unique art form in a colloquium titled “Tekagami as/and Fragments.”
In this episode, the colloquium’s organizers, Akiko Walley, the Maude I. Kerns Associate Professor of Japanese Art at the University of Oregon, Eugene, and Edward Kamens, the Sumitomo Professor of Japanese Studies at Yale University, discuss the origins of tekagami, its place in Japanese art history, and avenues for future research into this fascinating medium.
For images, transcripts, and more, visit https://blogs.getty.edu/iris/podcast-japanese-calligraphy-albums-as-and-fragments/ or http://www.getty.edu/podcasts/
To explore Yale’s Tekagami-jo album, visit https://tenthousandrooms.yale.edu/project/tekagami-jo-shou-jian-tie-project
To explore University of Oregon’s digital exhibition on fragmented calligraphy, visit https://glam.uoregon.edu/s/tekagami-kyogire/page/welcome