Monthly Archives: July 2010

Posted in Architecture and Design, Behind the Scenes, Exhibitions and Installations, Getty Villa

Career Profile: Davina Wolter, Designer

Davina Wolter, setting up The Belles Heures of the Duke of Berry exhibition.

What do you do at the Getty? I’m a designer. My work includes graphics, or 2-D design, as well as 3-D design-such as furniture, interiors, and architectural drawing. Our department, Design, is unique for a cultural institution because we create… More»

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Posted in Art, Education, Getty Center, J. Paul Getty Museum, Paintings

Hidden Gems of the Collection: Paintings That Keep Us Guessing

Head of a Woman / Michael Sweerts
Head of a Woman / Michael Sweerts

We continue our look at intriguing but lesser-known works from the Getty’s collection with two more off-the-beaten-path tips from Museum educators. In a previous post we looked at three relief sculptures; now we turn to two lovingly detailed paintings that… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano

louis_marchesano_2

I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»

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Posted in Exhibitions and Installations, Paintings, Photographs, Film, and Video

What Do Jean-Léon Gérôme and Don Draper Have in Common?

Optician's Sign (Opticien), Jean-Léon Gérôme, 1902. Oil on canvas, 34 1/4 x 26 in. Private Collection

You might have a hard time answering that question as you first stroll through the galleries of the exhibition The Spectacular Art of Jean-Léon Gérôme. But as you exit the hall featuring Gérôme’s later works, the answer lies before you… More»

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Posted in Getty Center, Getty Research Institute

Encuentros Quemando con Surreal Encanto

Adorée au grand air (collage on sandpaper), César Moro, 1935. The Getty Research Institute, 980029 © Andre Coyne

Digging for fire at the Getty Research Institute’s recent symposium Vivísimo Muerto: Debates on Surrealism in Latin America, I recalled Guillaume Apollinaire’s thoughts on what I believe to be the essence of Surrealism: “When man wanted to make a machine… More»

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Posted in Behind the Scenes, Getty Center, Photographs, Film, and Video

Go Behind the Scenes with Our New Orientation Film

garden

Many first-time visitors to the Getty Center disembark the tram at the top of the hill, take one look around, and wonder out loud, “What’s in all of these buildings?” Our new orientation film—also available in Spanish here—aims to answer… More»

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Posted in Exhibitions and Installations, Getty Center, Paintings, Sculpture and Decorative Arts

Naked or Nude? Gérôme’s Provocative Bodies

snake_charmer

During a tour of the new exhibition The Spectacular Art of Jean-Léon Gérôme, curator Mary Morton stopped in front of Gérôme’s Snake Charmer and asked the audience, “What do you see?” Murmurs spread through the crowd. One brave little girl… More»

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Posted in Behind the Scenes, Education, Getty Foundation

Multicultural Undergraduate Interns Gather for an Arts Summit

Talking over lunch at the MUI Program Arts Summit
Talking over lunch at the MUI Program Arts Summit

June 28th was an unusual Monday for me as an intern at the Getty Foundation. Instead of heading toward the Foundation offices as I would on a typical work day, I reported to the Harold M. Williams Auditorium at the… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Sculpture and Decorative Arts

Seven Things I Learned from “Leonardo da Vinci and the Art of Sculpture”

Banners for Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention at the Getty Center

Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition go,… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Villa

Career Profile: Marcus Adams, Antiquities Preparator

marcus_adams

This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up and… More»

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