Monthly Archives: July 2011

Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings, Sculpture and Decorative Arts

Power Breakfast Inspired by a King: The 18th-Century Toilette

The Milliner / Francois Boucher

When posh Parisians in the mid-18th century greeted the day, their morning ritual wasn’t anything like our hasty shower, breakfast, and dash out the door. Their toilette, or ritual of rising and dressing, was an hours-long activity of luxurious pampering,… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Medieval Clotheshorse: Roger Wieck on the Fashion Revolution of the Middle Ages

Philosophy Presenting the Seven Liberal Arts to Boethius (detail), miniature in a French manuscript of The Consolation of Philosophy attributed to the Coëtivy Master, about 1460–70

A “fashion revolution” in the Middle Ages? Yes, says art historian Roger Wieck, curator of Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands at the Morgan Library. Just as art was changing with the dawn of… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Sculpture and Decorative Arts

The Making of Charles Ray’s “Boy with Frog”

Boy with Frog (detail), Charles Ray (American, born 1953), 2009. Painted fiberglass, 96 1/16 x 29 1/2 x 41 5/16 in. Courtesy the artist and Matthew Marks Gallery

Peering up at a giant sculpture, I often wonder: How do artists construct such massive creations? Here’s a peek at the journey, from artist’s conception to the Getty Center’s doorstep, of the larger-than-life Boy with Frog, which was installed yesterday… More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

Treasures from the Vault: Anticipating Mapplethorpe

Self-portraits by Sam Wagstaff, 1960s or 1970s. The Getty Research Institute, Samuel Wagstaff papers, 1860-1987, 2005.M.46. Gift of The Robert Mapplethorpe Foundation, Inc.
Self-portraits by Sam Wagstaff, 1960s or 1970s. The Getty Research Institute, Samuel Wagstaff papers, 1860-1987, 2005.M.46. Gift of The Robert Mapplethorpe Foundation, Inc.

Many researchers are looking forward to delving in to the Robert Mapplethorpe archive we acquired in February. However, there is an important complementary collection of equal interest available right now: the Samuel Wagstaff papers. Wagstaff was a formidable curator and… More»

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Posted in Art, Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Question of the Week: Do Americans See the World through a Distorted Lens?

Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris
Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris

Initially designating himself an “ignorant American,” photographer Alex Harris went to Cuba in 1998, camera in tow, without preconceived notions. He simply wondered what photography could tell him about this neighboring country that he, along with so many other Americans,… More»

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Posted in Architecture and Design, Getty Research Institute, Publications

Painterly Urban Planning: Nikolaus Pevsner’s “Visual Planning and the Picturesque”

Cover of Nikolaus Pevsner's Visual Planning and the Picturesque, published by the Getty Research Institute
 

Nikolaus Pevsner (1902–1983) was one of the 20th century’s foremost historians of British architecture. Even today, tourists wander through the historic squares of England aided by Pevsner’s The Buildings of England guidebooks, which remain in print with Yale University Press… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Three Contemporary Photographers on Cuba

Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko
Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko

What drew them to Cuba? We asked photographers Alex Harris, Virginia Beahan, and Alexey Titarenko, whose work is featured in the exhibition A Revolutionary Project: Cuba from Walker Evans to Now, to talk about what took them to the island,… More»

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Posted in Architecture and Design, Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Walker Evans’s Havana, through an Architect’s Lens

Havana Cinema, Walker Evans, 1933. The J. Paul Getty Museum, XXX. © Walker Evans Archive, The Metropolitan Museum of Art

Julio César Pérez Hernández, architect and author of Inside Cuba, visits the Getty Center this Thursday to talk about Cuban architecture in conjunction with the exhibition A Revolutionary Project: Cuba from Walker Evans to Now. Evans’s photographs of Cuba from… More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Paintings

Getty Center Closes, Art Takes the Weekend Off!

Getty Museum Pig

It’s a lot of pressure, day after day, holding the same pose. I’ve been standing up, staring at the underside of a ringing bell for years now. I love hanging out with my pal Saint Anthony, but how can I… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum

Can’t Get Enough of Carmageddon

Evening traffic along Pacific Coast Highway in Malibu, near the Getty Villa
It's nothing new: Gridlock and bad air, A.D. 2009. Photo: Eric Demarq, CC BY-NC-ND 2.0
Update, September 2012—Carmageddon II is upon us Saturday and Sunday, September 29 and 30, 2012. The Getty Center will be closed both days (Getty Villa open). Will it finally be the real carpocalypse, or a repeat of 2011's nonevent? In... More»
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      From you have I been absent in the spring,
      When proud-pied April, dressed in all his trim,
      Hath put a spirit of youth in everything,
      That heavy Saturn laughed and leaped with him,
      Yet nor the lays of birds, nor the sweet smell
      Of different flowers in odor and in hue,
      Could make me any summer’s story tell,
      Or from their proud lap pluck them where they grew.
      Nor did I wonder at the lily’s white,
      Nor praise the deep vermilion in the rose;
      They were but sweet, but figures of delight,
      Drawn after you, you pattern of all those.
      Yet seemed it winter still, and, you away,
      As with your shadow I with these did play.

      —William Shakespeare, born April 23, 1564

      Vase of Flowers (detail), 1722, Jan van Huysum. The J. Paul Getty Museum

      04/23/14

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