Monthly Archives: July 2014

Posted in Antiquities, Art, J. Paul Getty Museum

3D Scanning Meets Ancient Art

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Ancient art is the subject of a 3D scanning pilot at the Getty Museum. More»

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Posted in Getty Research Institute, Research

New Report Visualizes Cultural History through “Big Data”

Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014
Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014

Using science to map art history. More»

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Posted in Art, Exhibitions and Installations, Getty Villa

Byzantine Los Angeles

Saint Sophia Cathedral, anchor of Los Angeles's Greek Orthodox community and the Byzantine-Latino Quarter
Saint Sophia Cathedral, anchor of Los Angeles's Greek Orthodox community and the Byzantine-Latino Quarter

A visit to the heart of L.A.’s Greek Orthodox community. More»

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Posted in Art, Education, J. Paul Getty Museum, Manuscripts and Books

A Better World through Chivalry

A boy is never too young to practice being a gentleman.
 
Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.
A boy is never too young to practice being a gentleman. Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.

Chivalry gets a 21st-century, multi-generational spin through these artists’ workshops. More»

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Posted in Behind the Scenes, Getty Center

Fashion Off the 405

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What are our visitors wearing to stay cool this summer? More»

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Posted in Art, Education

What Mask Do You Wear?

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What is the Mobile Arts Platform and why should you tell us what mask you wear? More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: Three Drawings from the Dutch Golden Age

A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)
A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)

A peasant portrait, botanical watercolor, and winter scene join the Getty Museum’s collection More»

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Posted in Behind the Scenes, Getty Research Institute

Art Historical Books Bound for Brazil

University of São Paulo by Rafael Vianna Croffi on Flickr, CC BY 2.0.
University of São Paulo by Rafael Vianna Croffi on Flickr, CC BY 2.0.

179 boxes of books and journals are headed from Los Angeles to the Universidade Federal de Saõ Paolo. More»

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Posted in Architecture and Design, Art

Planning for Utopia

August 9, 1974 (Washington, D.C.)
August 9, 1974 (Washington, D.C.)

Photographs and Memories Reveal the Darker Side of a Symbol of Postwar Suburban Order. More»

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Posted in Art, Getty Villa

Searching for Murmurs of History

Caption: Elana Mann, Villa Murmurs study, 2014: Photo: Jean-Paul Leonard, courtesy of the artist
Caption: Elana Mann, Villa Murmurs study, 2014: Photo: Jean-Paul Leonard, courtesy of the artist

What does history sound like? More»

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      Made with sweat and tears, literally

      Matthew Brandt incorporates the elements of his subject into the making—or unmaking—of his photographs. From lake water to sweat to saliva to tears, particles of the world in which he photographs influence the making of the print. 

      His photographs are now on view (with 5 other contemporary photographers) in Light, Paper, Process open through September 6.


      Rainbow Lake, WY A4, negative 2012; print 2013, Matthew Brandt. Chromogenic print, soaked in Rainbow Lake water, 30 x 40 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.16.2. © Matthew Brandt

      Will, 2007, Matthew Brandt. Salted paper print with tears, 2 5/8 x 2 in. Courtesy of the artist, Yossi Milo Gallery, New York and M+B Gallery, Los Angeles. © Matthew Brandt

      08/27/15

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