About: Kim Sadler

I'm the marketing project coordinator for the Getty. What does that mean? Well, I help develop strategies that aim to encourage people to visit the Getty Center and the Getty Villa. We're trying to wash away the "castle-on-the-hill" image that comes with being a huge museum—on a hill! The Getty is a great place to come spend the morning, the afternoon, or the whole day! When I'm not up here on this hill, I enjoy hiking all different hills, listening to music, going to concerts, and watching the final season of LOST.

Posts by Kim

Posted in Behind the Scenes, Conservation, J. Paul Getty Museum

Cleaning 700 Square Feet of Precious Tapestry

Weavers conserve a tapestry at the Gobelins Manufactory
Photo courtesy of the Gobelins Manufactory

Tapestries once owned by Louis XIV receive a high-tech cleaning. More»

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Posted in Art, Education

What Mask Do You Wear?

DH0A3359_blog

What is the Mobile Arts Platform and why should you tell us what mask you wear? More»

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Posted in Gardens and Architecture, Getty Center

Sniff Your Way through the Getty Gardens

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A smell tour of the Getty Center’s flora. More»

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Posted in Behind the Scenes, Getty Research Institute, Scholarship

Form versus Function: Rare Journals Acquired by the Getty Research Institute

Cover, Das Interieur
Cover, Das Interieur, 1904, Vol. 5, Part 2 (July–December). The Getty Research Insitute, 88-S330

New acquisitions provide researchers crucial context for two key international art movements—Jugendstil and Concrete Art. More»

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Posted in Ancient World, J. Paul Getty Museum

Prometheus Bound: A God Stands Up for Humans’ Rights

Prometheus LA Mag
Look for these posters around town this summer. The photo shows Ron Cephas Jones performing the remarkable feat of embodying Prometheus while anchored to the 23-foot-tall rotating wheel.

Prometheus gave humans fire, and for that he was punished for all of eternity. His story is brought to life in the Villa’s outdoor theater this fall. More»

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Posted in Getty Villa, J. Paul Getty Museum

At the Roman Table: Fish Sauce, Sausage-Stuffed Pig, and Good Conversation

Sally Grainger with porcellum hortolanum at the serving table for At the Roman Table at the Getty Villa

On a recent midsummer’s evening, the Getty hosted a program called At the Roman Table: A Culinary Adventure at the Getty Villa. The event drew 160 guests on each of two balmy evenings to Malibu, where we enjoyed a banquet… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum

Play the Paris Gallery Game!

Find the six things that are different in this portrait of Gabriel Bernard de Rieux created by Maurice-Quentin de La Tour about 1739–41

The exhibition Paris: Life & Luxury transports you to an affluent Parisian home in the mid-1700s. It’s presented in a series of rooms that show the activities an elite family would have performed in the morning, afternoon, and evening—from dressing… More»

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Posted in Gardens and Architecture, Getty Villa

Exploring the Herb Garden at the Getty Villa

Fruit in the Herb Garden at the Getty Villa

A beautiful day and the blooming of spring brought me out of my stuffy cubicle and into the Herb Garden at the Getty Villa. As the sun streamed onto my shoulders, I inhaled the fresh sent of mixed herbs and… More»

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Posted in Behind the Scenes, Getty Center

Angela Merkel Visits the Getty

Thomas Gaehtgens, Jim Wood, Antonio Villaraigosa, and Angela Merkel outside the entrance to the Getty Research Institute
Thomas Gaehtgens, Jim Wood, Antonio Villaraigosa, and Angela Merkel outside the entrance to the Getty Research Institute

Thousands of German tourists come to the Getty each year, but today’s visit was special. The Chancellor of Germany, Angela Merkel, visited the Getty and was welcomed by L.A. Mayor Antonio Villaraigosa, Getty president and CEO Jim Wood, and the… More»

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      #ProvenancePeek: Shark Attack!

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This dynamic painting of a 1749 shark attack in Havana, Cuba, by John Singleton Copley was too good to paint only once. The original hangs at the National Gallery of Art in Washington, D.C. A second full-sized version of the painting, which Copley created for himself, was inherited by his son and eventually gifted to the Museum of Fine Arts, Boston.

      The third version (shown here) is slightly reduced in size, with a more vertical composition. It resides in the Detroit Institute of Arts.

      A quick peek into the digitized stock and sales books of art dealer M. Knoedler & Co. at the Getty Research Institute shows the sale of Copley’s masterpiece. It was entered under stock number A3531 in July 1946 and noted as being sold to the Gallery by Robert Lebel, a French writer and art expert. The Knoedler clerk also carefully records the dimensions of the painting—30 ¼ x 36 inches, unframed.

      On the right side of the sales page you’ll find the purchaser listed as none other than the Detroit Institute of Arts. The corresponding sales book page gives the address: Woodward Ave, Detroit, Mich., still the location of the museum.

      Watson and the Shark, 1782, John Singleton Copley. Detroit Institute of Arts

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      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      02/10/16

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