About: Anne-Lise Desmas

I'm head of the Department of Sculpture and Decorative Arts at the J. Paul Getty Museum, where I specialize in French and Italian Early Modern sculpture. Growing up in a small beach city by the Atlantic Ocean in France, I could have become a windsurfer or an oyster producer—but my love for sculpture prompted me to leave Brittany to study art history at the École du Louvre and the Sorbonne in Paris. Like many sculptors to the French kings I was studying, I then traveled to Italy to complete my training. I fall in love with Rome, where, to complete my PhD, I spent more than a decade reading dusty archival documents, examining huge travertine statues high up on the facades of basilicas, and examining delicate stucco and marble reliefs in cold churches. There I was lucky enough to work at the French Academy, in the Villa Medici, and at the top of the Pincio Hill overlooking the Eternal City. I couldn't imagine for a minute that I would later work at the top of another hill, overlooking the City of the Angels on the Pacific Coast! I am one ocean and one continent away from Europe, but I can practice surfing (or try to), there are archival documents in the Getty Research Institute (though they are not dusty enough for my taste), and I am surrounded by Tivoli travertine; but above all, I am doing the job I always dreamed of!

Posts by Anne-Lise

Posted in J. Paul Getty Museum, Sculpture and Decorative Arts

This Renaissance Sculpture Just Became a French Movie Star

Double Head (detail of face) / Francesco Primaticcio

This Renaissance sculpture stars in a French biopic. More»

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Posted in Art, Sculpture and Decorative Arts

No Beauty Contest: 18th-Century English Lord Curates Getty Museum Gallery

Neoclassical and Roman sculptures at the Getty Center, Gallery W101
A new installation in Gallery W101 at the Getty Center presents 18th-century Neoclassical sculptures alongside two Roman pieces with storied pasts

Two pieces brought out from storage complete the story of the Judgment of Paris in a new installation at the Getty Center. More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum

A New Installation of 18th-Century Terracottas and Marbles

Overview of South Atrium

The sculpture and decorative arts galleries in the West Pavilion, redesigned in August 2010, highlight the objects well—so well, in fact, that I bet no one has noticed that seven sculptures once in the West Pavilion have been off view… More»

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Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

The Thrills (and Terrors) of Installing an Exhibition

Installing Leonardo and the Art of Sculpture
Chain in hand, I help out during the heavy lifting.

Wednesday, March 17, 9:50 a.m. That’s it. I’ve just walked the last courier to the South Gate shuttle point and said good-bye, and am going back to the museum. There’s a delicious smell coming from the wisteria, and the sky… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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