About: Anne Helmreich

I'm a senior program officer at the Getty Foundation and an art historian specializing in 19th-century European, particularly British, art. Before coming to the Getty, I was associate professor of art history and director of the Baker-Nord Center for the Humanities at Case Western Reserve University. My scholarly work focuses on the history of the art market, the relationships between art and science, and the history of the built environment.

Posts by Anne

Posted in Art, Getty Foundation, Research

Summer Camp for Art Historians

Photo: Frettie, CC By-SA 3.0

Three summer institutes convene art historians to push digital art history forward. More»

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Posted in Behind the Scenes, Getty Foundation, Publications

New Digital Publication Zooms in on Claude Monet

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New digital catalogue from the Art Institute of Chicago lets you get up close and personal with Monet’s brushstrokes. More»

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Posted in Getty Foundation, Philanthropy, Publications, Research

What Is a Page in the Digital Age?

On Performativity / Walker Art Center
View of the Walker’s new OSCI publication, On Performativity. Image courtesy Walker Art Center

A new crop of digital museum catalogues reinvents the page for the 21st century. More»

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Posted in Art, Getty Foundation, Publications, Voices

OSCI and The Future of Digital Publishing | Getty Voices

AnneHelmreich_digipubs

Digital isn’t just revolutionizing publishing. It’s revolutionizing the museum. More»

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Posted in Getty Foundation, Philanthropy

Field Report from the Art History Olympics, the 33rd CIHA Congress

Program book and Anne Helmreich's attendee badge from the 2012 CIHA conference

Art history, like most other professions, relies on acronyms. CIHA refers to the International Committee for the History of Art, which is one of the oldest organizations in the profession, founded in 1930. I recently attended CIHA’s 33rd Congress in… More»

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    • photo from Tumblr

      Drab or dynamic?

      This orange-brown colored tapestry was so in fashion in the late 17th century wealthy patrons ordered matching furniture upholstery to complement this unusual shade.

      The shade became known as tabac d’Espagne, or Spanish tobacco.

      Tapestry: The Offering to Bacchus from The Grotesque Series, about 1690 - 1730, Beauvais Tapestry Manufactory. J. Paul Getty Museum.

      09/30/14

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