About: Anne Helmreich

I'm a senior program officer at the Getty Foundation and an art historian specializing in 19th-century European, particularly British, art. Before coming to the Getty, I was associate professor of art history and director of the Baker-Nord Center for the Humanities at Case Western Reserve University. My scholarly work focuses on the history of the art market, the relationships between art and science, and the history of the built environment.

Posts by Anne

Posted in Art, Getty Foundation, Publications

Museum Catalogues from Eight Institutions You Can Now Read Online

The Online Scholarly Catalogue Initiative, or OSCI, led by the Getty Foundation, is finding solutions for the complex task of creating museum publications in a free digital format.
The Online Scholarly Catalogue Initiative, or OSCI, led by the Getty Foundation, is finding solutions for the complex task of creating museum publications in a free digital format.

Another online collections catalogue supported by the Getty Foundation has launched More»

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Posted in Art, Getty Foundation, Research

Summer Camp for Art Historians

Photo: Frettie, CC By-SA 3.0

Three summer institutes convene art historians to push digital art history forward. More»

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Posted in Behind the Scenes, Getty Foundation, Publications

New Digital Publication Zooms in on Claude Monet

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New digital catalogue from the Art Institute of Chicago lets you get up close and personal with Monet’s brushstrokes. More»

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Posted in Getty Foundation, Philanthropy, Publications, Research

What Is a Page in the Digital Age?

On Performativity / Walker Art Center
View of the Walker’s new OSCI publication, On Performativity. Image courtesy Walker Art Center

A new crop of digital museum catalogues reinvents the page for the 21st century. More»

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Posted in Art, Getty Foundation, Publications, Voices

OSCI and The Future of Digital Publishing | Getty Voices

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Digital isn’t just revolutionizing publishing. It’s revolutionizing the museum. More»

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Posted in Getty Foundation, Philanthropy

Field Report from the Art History Olympics, the 33rd CIHA Congress

Program book and Anne Helmreich's attendee badge from the 2012 CIHA conference

Art history, like most other professions, relies on acronyms. CIHA refers to the International Committee for the History of Art, which is one of the oldest organizations in the profession, founded in 1930. I recently attended CIHA’s 33rd Congress in… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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