Behind the Scenes, Gardens and Architecture, Getty Center, Getty Villa, Miscellaneous

Getty Fountains Temporarily Turned Off to Save Water

Breathtaking works of art? Check! Stunning architecture? Check! Sunshine? Check! Sweeping vistas? Check! Beautiful gardens? Check!

Gurgling fountains? Well, no.


California is in the midst of its worst drought in recorded history, and recently Governor Jerry Brown asked Californians to conserve water in any way they can. In response, we’ve turned off the water fountains at the Getty Center and the Getty Villa and drained our pools—except those where fish and plants live, and the Central Garden, which is a living sculpture by artist Robert Irwin and a part of the Museum’s art collection.


Our visitors enjoy our water features as much as we do, and many have been disappointed by this change. But many have been pleased to see us taking the drought seriously.

Water conservation isn’t new to the Getty. Thanks to conservation measures large and small, we’ve reduced our overall water consumption by 55 percent since the Getty Center opened in 1997.

Turning off the fountains saves nearly 2,500 gallons a day. It also helps send a message in support of conservation during this long, hot summer—and beyond.

We hope the rainy season comes early and stays late, and we can turn the water back on. But until then, we appreciate your support while we conserve water. We hope there will be plenty of other things to enjoy when you visit the Getty Center and the Getty Villa.

The fountain in the East Plaza at the Villa is still gurgling and feeding the plant life.

The fountain in the East Plaza at the Villa is still gurgling and feeding the plant life.


Robert Irwin’s living sculpture, the Central Garden, will also remain running.


Tagged , , , , , , Bookmark the permalink. Post a comment or leave a trackback: Trackback URL.


  1. Mark Mandelkern
    Posted June 17, 2014 at 9:48 am | Permalink

    In this time of drought in California, efforts to conserve water are highly commendable. But they must be based on good judgment and a modicum of research.

    The Getty Villa recently emptied its beautiful reflecting pond in the outer peristyle (as well as all the other ponds, including the tiny indoor impluvium), ostensibly to conserve the water lost to evaporation. Here is a simple calculation of the water saved:

    The pool is 210 feet long, 20 feet wide, and 17 inches deep for an area of 4200 sq ft or 386 sq m, substantially smaller than that of an olympic swimming pool (typically 50 m by 20 m for 1000 sq m). The volume is 5950 cu ft.

    Fromm, the typical summer daytime evaporation rate is 136 kg/hr, the nighttime evaporation rate is 102 kg/hr and the daily evaporation rate is thus 2856 kg/day or 101 cu ft per day (755 gallons per day). This is a tiny quantity of water. According to EPA ( the average American family of four uses 280 gallons of water INDOORS per day. The evaporation from the Getty pool is thus less than that used indoors by 12 people. A single typical Los Angeles home with a lawn uses more water.

    LADWP charges $4.72 per hundred cubic feet of water. The cost of the water lost by evaporation from the Getty pool per day is $4.76. When the pool was emptied, the contents, equal to 59 days worth of evaporation, were dumped. To refill the pool will cost $281. It would be interesting to know what fraction of the Getty Villa’s total daily water use was actually saved, given the extensive gardens, the restrooms, the restaurant, and general maintenance – all of which undoubtedly guzzle water at a rate that dwarfs the pool’s evaporation loss. Meanwhile, tourists visiting this magnificent site are left gawking at concrete holes.

    • Posted June 19, 2014 at 11:34 am | Permalink

      Thanks for your very thoughtful comment. By turning off the ornamental fountains at both the Getty Center and Getty Villa we save nearly 2500 gallons a day — not enough to end the drought, by any means, but a meaningful response. We did not empty fountains that sustained fish or wildlife, so at the Villa, fountains in the East Garden, Herb Garden and near the Museum Store are still operating. As you note, closing restrooms and the dining operations, and eliminating all landscape irrigation and general maintenance would save much more water, but of course would force the closure of both sites entirely. We miss the fountains too, and look forward to the day when we can turn them back on.

Post a Comment

Your email is never published or shared. Required fields are marked *


You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr



      The histories of many colors are amazing, but cobalt may well have the most brilliant of them all. From the Ming Dynasty to Renaissance Italy, cobalt was a popular glaze for porcelain and other ceramics. Cobalt ink is invisible unless exposed to flame, which turns it a vivid green. In the 17th century, this quality made Europeans believe it was witchcraft, but decades later it was used as a neat trick on fire screens. It wasn’t until 1802 that painters added cobalt to their palette. 

      It is this little tidbit from cobalt’s history that saved master forger Han van Meergeren’s skin after WWII, when he was tried for collaborating with the Nazis. Want to find out how some art history sleuthing and smart science got him a not guilty verdict? Hint: Don’t try to forge a Vermeer with cobalt! 

      Read all about it in The Brilliant History of Color in Art!

      Images, clockwise:

      Glazed earthenware dish with a marchant ship, Italy, about 1510. 

      Glazed earthenware tile floor, Spain, about 1425-50.

      Porcelain lidded vase, China, about 1662-1772.

      All objects from the J. Paul Getty Museum. 


  • Flickr