Art historian and archaeologist Nigel McGilchrist is taking us to the Aegean—and you can come along! On January 13, he’ll give a free illustrated talk at the Getty Villa on his nearly seven years exploring seventy of these beautiful...
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They’re here! The diaries of J. Paul Getty are now part of the collection of the Getty’s Institutional Archives, thanks in large part to the late Jim Wood, former Trust President and CEO, who placed great value on the Getty’s...
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If you’re planning to visit the Getty this holiday, you may be surprised to learn that we have no tour guides. Instead, we have engineers, film producers, social workers, photographers, teachers, doctors, artists, salespeople, landscapers, and just about every...
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The Getty’s outdoor spaces are never more beautiful than in the colder months.
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What is your job at the Getty? I work as a gallery teacher at the Getty Villa. Gallery teachers lead tours in the museum and get to talk with visitors about art all day long. In the Museum we...
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Filmmaker Peter Greenaway speaks at the Getty Center tonight as part of our Getty Perspectives lecture series, which invites distinctive artists and scholars to offer their perspectives on the visual arts. I’ve long wanted Peter Greenaway to be part...
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Opening a new museum involves many tasks—and deciding what to display isn’t the only one. There’s also the matter of how to feed hungry visitors. When Stephen Garrett became the first director of the Getty Museum after the construction...
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The scholarly catalogue has long been a critical part of a museum’s mission, providing authoritative information about collection objects for scholars, students, and the general public. Richly illustrated and often based on years of painstaking research, print catalogues form...
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Eleven teachers enter an underground room at the Getty Villa. In a space with wooden crates marked “fragile” sits a large table. They are asked to put on latex gloves as an aura of anticipation fills the air. “When...
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Highlights from the Getty Research Institute’s collection of Italian artists’ books.
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Nowadays, seeing a silly picture of a person is hardly unusual. Showing personality is a good thing. Social customs weren’t quite the same in 18th-century France, when Joseph Ducreux painted this self-portrait. An official court painter, he was known for...
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The frailty of the human condition—and the cruelty of untimely loss of life—is one of art’s oldest and most enduring themes. Every year on December 1, we’ve reflected on this theme for Day Without Art, an international day of...
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