art history

Posted in Art, Exhibitions and Installations, Getty Research Institute

Bombing the Cathedral of Rheims

German propaganda about the Rheims cathedral bombing
German propaganda card from 1917. The text reads, "The French use the cathedral of Reims as a base of operations and therewith endanger this magnificent work of art" ("Die Franzosen benutzen die Kathedrale von Reims also Operations-Baßis und gefährden damit das herrliche Kunstwerk"). via reims.fr

The battle that launched the culture clash of World War I. More»

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Posted in Art, Publications

How Much Do You Know about Color?

Brilliant History of Color quiz

Take this quiz to learn how much you *really* know about the rainbow. More»

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Posted in Getty Research Institute, Prints and Drawings, Research

Treasures from the Vault: Heinrich Geissler’s Groundbreaking Archive

Black and white photograph of an unsigned drawing of a man holding a bow
Study photograph of an unsigned drawing of a man holding a bow

A newly catalogued archive sheds light on how art history was written in Germany after the war. More»

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Posted in Behind the Scenes, Getty Foundation

The Getty Foundation’s 30th Anniversary

Shelf of exhibition catalogues from Pacific Standard Time: Art in L.A., 1945-1980
Pacific Standard Time publications

A look back at the Getty Foundation’s 30 years of support for study and preservation of the visual arts. More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

Three Reasons to Love Marie-Antoinette

Color print of Queen Marie-Antoinette
Queen Marie-Antoinette, about 1789, Pierre-Michel Alix after Elisabeth-Louise Vigée Le Brun. Etching and wash manner, printed in blue, red, yellow, and black inks, 9 3/16 x 7 1/16 in. The National Gallery of Art, Widener Collection, 1942.9.2430. Image courtesy National Gallery of Art, Washington

Before her ill-fated end, Marie-Antoinette was a peerless patron of the decorative arts. More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Research

Unlocking Archives through Digital Tech

Decourcy McIntosh, Thomas Gaehtgens, and Gail Feigenbaum
In the Special Collections Reading Room, workshop participants look inside an art dealer's photograph album. Foreground, left to right: independent scholar Decourcy McIntosh, Research Institute director Thomas Gaehtgens, and associate director Gail Feigenbaum.

The vast archives of the Getty Research Institute contain many stories yet untold. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings, Research

Who Is George Seurat’s “Indian Man”?

An Indian Man / Georges Seurat
Detail of Seurat's An Indian Man showing the finely rendered beard and topknot

Help us solve an art-historical mystery. More»

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Posted in Architecture and Design, Behind the Scenes, Getty Research Institute, Research

Connecting Seas: The Getty Research Institute in Manila

Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez
Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez

“For all of us, the trip was revelatory on many levels.” More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Posted in Behind the Scenes, Education, Getty Research Institute

Art History Is for Kids!

Arrr, Holden!
Arrr, Holden!

Young (but savvy) pirate explorers conquer the Connecting Seas exhibition, offering some telling observations. More»

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