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Posted in Art, Manuscripts and Books, Research, Voices

Graffiti Black Book | Getty Voices

LALiberAmicorum_earlymeeting
One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

Time for a Manuscript Close-Up! Welcoming the Abbey Bible to the Museum

Erene Rafik Morcos documenting the Abbey Bible in the Manuscripts Study Room at the J. Paul Getty Museum

The 13th-century illuminated manuscript known as the Abbey Bible recently joined the collection of the Getty Museum—and when the special book arrived, the task of documenting it fell to me. This meant I had to spend a lot of time… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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