Canterbury and St. Albans

Posted in Art, Exhibitions and Installations, Manuscripts and Books

Art and Experience in Canterbury and L.A.

Installation view of Canterbury and St. Albans at the Getty Center
Inside Canterbury and St. Albans at the Getty Center. Pages from the St. Albans Psalter, foreground: Bibliothek Hildesheim. Stained-glass panels from the Ancestors of Christ Windows, Courtesy Dean and Chapter of Canterbury

A medieval prayer book was a personal liturgical space. Small and portable, one needed only to open the book to enter. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

An Illuminated Christmas

Detail of Christ and Mary from the Nativity in the St. Albans Psalter / Alexis Master
Dombibliothek Hildesheim

A nearly 900-year-old nativity scene, rendered in gold and jewel tones. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Bigger Than Ourselves: Episcopal Priest Dr. Gwynne Guibord on Finding the Sacred through Art

Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 117880. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury
Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury

“All space, all beings, and all creation is sacred—but we don’t walk through life seeing it that way. Art offers a transition, helping us leave behind the secular world and move into a sacred place.” More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

They That Go Down To The Sea In Ships

The Calling of Saints Peter and Andrew / Master of the Brussels Initials
The Calling of Saints Peter and Andrew, about 1389–1404, Master of the Brussels Initials. Tempera colors, gold leaf, gold paint, and ink on parchment, 13 x 9 7/16 in. The J. Paul Getty Museum, Ms. 34, fol. 172

A reflection on the Feast of Saint Andrew, celebrated at Canterbury Cathedral. More»

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Posted in Behind the Scenes, Getty Center

Traditional English Recipes with a California Flair

Spotted Dick at the Restaurant at the Getty Center
A contemporary spin on Spotted Dick, the traditional English pudding made with dried fruit. Here it's served with fruit compote and a creamy almond custard

Our chefs share their 21st-century updates on traditional English favorites. More»

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      Made with sweat and tears, literally

      Matthew Brandt incorporates the elements of his subject into the making—or unmaking—of his photographs. From lake water to sweat to saliva to tears, particles of the world in which he photographs influence the making of the print. 

      His photographs are now on view (with 5 other contemporary photographers) in Light, Paper, Process open through September 6.


      Rainbow Lake, WY A4, negative 2012; print 2013, Matthew Brandt. Chromogenic print, soaked in Rainbow Lake water, 30 x 40 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.16.2. © Matthew Brandt

      Will, 2007, Matthew Brandt. Salted paper print with tears, 2 5/8 x 2 in. Courtesy of the artist, Yossi Milo Gallery, New York and M+B Gallery, Los Angeles. © Matthew Brandt

      08/27/15

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