conservation science

Posted in Art, Conservation, Getty Conservation Institute, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

jerome_azurite_featured

Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Posted in Behind the Scenes, Conservation, Getty Foundation, Paintings, Philanthropy

Conserving Pacino di Bonaguida: My Getty Foundation Fellowship

Madonna and Child with Saints / Pacino

The Panel Paintings Initiative is training the next generation of conservators of paintings on wood panels, and including professionals from Eastern Europe is a high priority. In this post, Polish conservator Aleksandra Hola describes her experience with the program. For… More»

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Posted in Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

The Case of the Broken Wax Banana

Untitled with broken peel / Robert Graham

This is the third in a series of conservators’ reflections on artworks in Pacific Standard Time. Robert Graham’s sculpture Untitled came to the Museum last October for Crosscurrents in L.A. Painting and Sculpture 1950-1970. It’s a small wax banana resting… More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Paintings

Getty to Conserve Jackson Pollock’s Watershed Work “Mural”

Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa
Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa

It’s official—abstract expressionist painter Jackson Pollock’s seminal work Mural (1943) will be undergoing technical study and conservation at the Getty Center as part of a new collaboration between the Getty and the University of Iowa Museum of Art. The painting… More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Sculpture and Decorative Arts

Looking Under Judy Chicago’s Car Hood

The back (wall) side of Judy Chicago's Car Hood

This is the second in a series of conservators’ reflections on artworks in Pacific Standard Time. In 1964 Judy Chicago created this wall-mounted sculpture, Car Hood, from a steel car hood and traditional automotive paint. The work was on loan… More»

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Posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

Conservation Comes Outdoors for Henry Moore’s “Bronze Form”

What's behind that tent? Henry Moore's Bronze Form is being conserved in situ at the Getty Center

What’s inside this tent? Henry Moore’s monumental sculpture Bronze Form 5/6—normally the first artwork visitors see when arriving at the Getty Center—is undergoing a conservation treatment behind a rather mysterious-looking safety screen. My colleagues and I will be working on… More»

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Posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

All Shook Up! Protecting Art in an Earthquake

The Agrigento Youth
The Statue of a Kouros (The Agrigento Youth) on loan from the Museo Archeologico Regionale in Agrigento installed in the Getty Villa, October 2010.

When you look at sculpture in the Getty Museum’s galleries, you wouldn’t guess that some of the pedestals are somewhat unusual. Under their polished veneer, they’re engineered to protect art from the movements caused by earthquakes. Many museums in California… More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

Modern Architecture Under the Conservation Microscope

Schindler House (Los Angeles, Calif.), interior, 1987. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute
Schindler House (Los Angeles, Calif.), interior, 1987. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute

Despite the increased recognition that works of modern architecture such as the Sydney Opera House, Le Corbusier’s Chapel of Notre Dame du Haut in Ronchamp, France, or Mies Van der Rohe’s IIT College of Architecture campus are culturally significant and… More»

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Posted in Antiquities, Behind the Scenes, Conservation, Getty Villa, J. Paul Getty Museum

Looking at Apulian Vases in a New Light

Loutrophoros / Greek, 300s B.C.

Since 2008, the antiquities conservation and curatorial departments at the J. Paul Getty Museum have been working with colleagues at the Antikensammlung in Berlin to study and conserve a group of South Italian (Apulian) vases dating to the 4th century… More»

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Posted in Exhibitions and Installations, Getty Conservation Institute

Talking with Artist De Wain Valentine

De Wain Valentine polishing one of his eight-foot-diameter polyester Circles in his Venice studio in the late 1960s

One of the most influential sculptors active in Los Angeles in the 1960s and ’70s, De Wain Valentine is perhaps best known for his large-scale polyester resin sculptures of simple geometric forms that interact intensely with the surrounding light. Not… More»

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    • photo from Tumblr

      Did humans have eyes that close together in ancient times?

      Naaaah, this helmet is ceremonial, most like for a funerary purpose. Once adorned with horsehair, feathers or metal animal horns, this decorative helmet was certainly not functional.

      Did you notice the engraved ringlet curls at the helmet’s ‘hairline’?

      Helmet, 400 - 375 B.C., Greek. J. Paul Getty Museum.

      08/19/14

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