digital art history

Posted in Art, Getty Research Institute, Research

Art & Architecture Thesaurus Now Available as Linked Open Data

Linked Open Data / Vincent van Gogh's Irises

A key reference database on art and architecture is now available for free download. More»

Also tagged , , , , , , , , , 22 Responses
Posted in Art, Getty Research Institute, Research

Beyond Digitization—New Possibilities in Digital Art History

Madonna, Saint Thomas Aquinas, and Saint Paul / Bernardo Daddi
Digital Daddis. In the Getty Center galleries with Madonna, Saint Thomas Aquinas, and Saint Paul, about 1330, Bernardo Daddi. Tempera and gold leaf on panel, 47 1/2 x 22 in. The J. Paul Getty Museum, 93.PB.16

Museums and libraries have digitized millions of works of art. Now what? More»

Also tagged , , , 1 Response
Posted in Art, Education, Getty Research Institute, Research

5,400 Images from the Getty Research Institute’s Special Collections Now Available as Open Content

Lantern design in Kangxi dengtu / Chinese
Lantern design in Kangxi dengtu (Kangxi-era lantern patterns), Chinese, 1790. Ink and watercolor, 29.7 x 24 cm. The Getty Research Institute, 2003.M.25

Thousands more images, from Renaissance prints to early photographs, join the Open Content Program. More»

Also tagged , , , , 14 Responses
Posted in Getty Foundation, J. Paul Getty Museum

Digital Success, Interactive Reading, and Other Open Questions about OSCI and Digital Publishing

catalogues2

How do we measure success in digital publishing? What’s better, an app or responsive design? What do we mean by “reading” now? More»

Also tagged , , , , , , Leave a comment
Posted in Art, Getty Foundation, Publications, Voices

OSCI and The Future of Digital Publishing | Getty Voices

AnneHelmreich_digipubs

Digital isn’t just revolutionizing publishing. It’s revolutionizing the museum. More»

Also tagged , , , , , , , , 5 Responses
Posted in Behind the Scenes, Publications, Research

Which Way, Digital_Humanities?

Provocation from Digital_Humanities
A provocation.

“Ours is an era in which the humanities have the potential to play a vastly expanded creative role in public life.” Will they? More»

Also tagged , , 1 Response
Posted in Behind the Scenes, Manuscripts and Books, Research, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

mellini_featured

Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

Also tagged , , , , , , 1 Response
Posted in Art, Publications, Research, Voices

It’s Time to Rethink and Expand Art History for the Digital Age

Google Image Search result for "Mona Lisa"
But is it art history? Google Image Search result for "Mona Lisa"

We need a 21st-century rethink of art history, one that takes us beyond academia to include artistic creation and the reception of artworks by the public. More»

Also tagged , , , , , 4 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      gettypubs:

      COBALT

      The histories of many colors are amazing, but cobalt may well have the most brilliant of them all. From the Ming Dynasty to Renaissance Italy, cobalt was a popular glaze for porcelain and other ceramics. Cobalt ink is invisible unless exposed to flame, which turns it a vivid green. In the 17th century, this quality made Europeans believe it was witchcraft, but decades later it was used as a neat trick on fire screens. It wasn’t until 1802 that painters added cobalt to their palette. 

      It is this little tidbit from cobalt’s history that saved master forger Han van Meergeren’s skin after WWII, when he was tried for collaborating with the Nazis. Want to find out how some art history sleuthing and smart science got him a not guilty verdict? Hint: Don’t try to forge a Vermeer with cobalt! 

      Read all about it in The Brilliant History of Color in Art!

      Images, clockwise:

      Glazed earthenware dish with a marchant ship, Italy, about 1510. 

      Glazed earthenware tile floor, Spain, about 1425-50.

      Porcelain lidded vase, China, about 1662-1772.

      All objects from the J. Paul Getty Museum. 

      12/18/14

  • Flickr