drawings

Posted in Getty Research Institute, Prints and Drawings, Research

Treasures from the Vault: Heinrich Geissler’s Groundbreaking Archive

Black and white photograph of an unsigned drawing of a man holding a bow
Study photograph of an unsigned drawing of a man holding a bow

A newly catalogued archive sheds light on how art history was written in Germany after the war. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: Three Drawings from the Dutch Golden Age

A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)
A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)

A peasant portrait, botanical watercolor, and winter scene join the Getty Museum’s collection More»

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Posted in Art, Exhibitions and Installations, Prints and Drawings

Watteau’s Elegant Ladies, Reunited

Lady and her mirror image. Details of original and counterproof of Seated Woman with a Fan (details), early 18th century, Jean-Antoine Watteau. Image left: The J. Paul Getty Museum, 82.GB.164. Image right: Collection Ariane and Lionel Sauvage
Lady and her mirror image. Details of original and counterproof of Seated Woman with a Fan (details), early 18th century, Jean-Antoine Watteau. Image left: The J. Paul Getty Museum, 82.GB.164. Image right: Collection Ariane and Lionel Sauvage

Two sister Watteau drawings reunite in a new exhibition. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings, Research

Who Is George Seurat’s “Indian Man”?

An Indian Man / Georges Seurat
Detail of Seurat's An Indian Man showing the finely rendered beard and topknot

Help us solve an art-historical mystery. More»

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Posted in Art, Prints and Drawings, Publications

The Human Predicament, in Pastel

Waiting / Degas
Owned jointly with the Norton Simon Art Foundation, Pasadena

An enigmatic pastel shows Degas’s talent for drawing human psychology. More»

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Posted in Art, Exhibitions and Installations

Hot Sauce, Be My Fiery Muse

Hot sauce / Michael Hsiung
Hot sauce + pen-and-ink = Michael Hsiung's ode to L.A. cuisine, the poster image for LA Heat: Taste Changing Condiments at the Chinese American Museum

How do you make art about Tapatío and Sriracha? First, eat many tacos… More»

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Posted in Art, Prints and Drawings

Leonardo da Vinci, Renaissance Lefty

Detail of a Caricature of a Man with Bushy Hair / Leonardo da Vinci
Caricature of a Man with Bushy Hair (detail), about 1494, Leonardo da Vinci. Pen and brown ink, 2 5/8 x 2 1/8 in. The J. Paul Getty Museum, 84.GA.647

Leonardo da Vinci’s drawings contain a little-known secret. More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Prints and Drawings

Why Is This Drawing in a Museum?

Abstract Lines / Degas
The mysterious drawing in question. Abstract Lines, about 1877, Edgar Degas. J. Paul Getty Museum.

A look inside a sketchbook by Degas reveals the story behind a unusual drawing. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Ancient Myth, Contemporary Politics

Paris and Helen, 1786, Jacques-Louis David (French, 1748 - 1825), pen and black ink and brush and gray wash, The J. Paul Getty Museum, Los Angeles
Paris and Helen, 1786, Jacques-Louis David. Pen and black ink and brush and gray wash, 7 3/16 x 9 in. The J. Paul Getty Museum, 83.GA.192

Jacques-Louis David made Greco-Roman myths directly relevant to the contemporary public, as this sly drawing shows. More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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