drawings

Posted in Getty Foundation, Prints and Drawings

Grad Intern Diary: Laurel Garber

L3blog

An eBay bidding war and over 800 pastels, a year in the life of a drawings intern More»

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Posted in Getty Research Institute, Prints and Drawings, Research

Treasures from the Vault: Heinrich Geissler’s Groundbreaking Archive

Black and white photograph of an unsigned drawing of a man holding a bow
Study photograph of an unsigned drawing of a man holding a bow

A newly catalogued archive sheds light on how art history was written in Germany after the war. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: Three Drawings from the Dutch Golden Age

A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)
A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)

A peasant portrait, botanical watercolor, and winter scene join the Getty Museum’s collection More»

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Posted in Art, Exhibitions and Installations, Prints and Drawings

Watteau’s Elegant Ladies, Reunited

Lady and her mirror image. Details of original and counterproof of Seated Woman with a Fan (details), early 18th century, Jean-Antoine Watteau. Image left: The J. Paul Getty Museum, 82.GB.164. Image right: Collection Ariane and Lionel Sauvage
Lady and her mirror image. Details of original and counterproof of Seated Woman with a Fan (details), early 18th century, Jean-Antoine Watteau. Image left: The J. Paul Getty Museum, 82.GB.164. Image right: Collection Ariane and Lionel Sauvage

Two sister Watteau drawings reunite in a new exhibition. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings, Research

Who Is George Seurat’s “Indian Man”?

An Indian Man / Georges Seurat
Detail of Seurat's An Indian Man showing the finely rendered beard and topknot

Help us solve an art-historical mystery. More»

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Posted in Art, Prints and Drawings, Publications

The Human Predicament, in Pastel

Waiting / Degas
Owned jointly with the Norton Simon Art Foundation, Pasadena

An enigmatic pastel shows Degas’s talent for drawing human psychology. More»

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Posted in Art, Exhibitions and Installations

Hot Sauce, Be My Fiery Muse

Hot sauce / Michael Hsiung
Hot sauce + pen-and-ink = Michael Hsiung's ode to L.A. cuisine, the poster image for LA Heat: Taste Changing Condiments at the Chinese American Museum

How do you make art about Tapatío and Sriracha? First, eat many tacos… More»

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Posted in Art, Prints and Drawings

Leonardo da Vinci, Renaissance Lefty

Detail of a Caricature of a Man with Bushy Hair / Leonardo da Vinci
Caricature of a Man with Bushy Hair (detail), about 1494, Leonardo da Vinci. Pen and brown ink, 2 5/8 x 2 1/8 in. The J. Paul Getty Museum, 84.GA.647

Leonardo da Vinci’s drawings contain a little-known secret. More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Prints and Drawings

Why Is This Drawing in a Museum?

Abstract Lines / Degas
The mysterious drawing in question. Abstract Lines, about 1877, Edgar Degas. J. Paul Getty Museum.

A look inside a sketchbook by Degas reveals the story behind a unusual drawing. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Ancient Myth, Contemporary Politics

Paris and Helen, 1786, Jacques-Louis David (French, 1748 - 1825), pen and black ink and brush and gray wash, The J. Paul Getty Museum, Los Angeles
Paris and Helen, 1786, Jacques-Louis David. Pen and black ink and brush and gray wash, 7 3/16 x 9 in. The J. Paul Getty Museum, 83.GA.192

Jacques-Louis David made Greco-Roman myths directly relevant to the contemporary public, as this sly drawing shows. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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