engravings

Posted in Art & Archives, Exhibitions and Installations, Prints and Drawings

17th-Century Print Offers a Field Guide to Laziness and Gluttony

Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most / Remondini
Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most, 1606, Remondini family (Bassano). Hand-colored engraving, 16 5/16 x 21 7/8 in. The Getty Research Institute, 2014.PR.72

“Here you only worry about being happy!” More»

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Posted in Art & Archives, Getty Research Institute, Prints and Drawings

Laying Louis XIV to Rest

Representation of the Place Where the Body of Louis XIV, King of France, Was Laid Out in the Church of Saint-Denis
Bibliothèque nationale de France, Département des Estampes et de la Photographie, Qb-1 (1715). Photo credit: BnF

Why are there so few images of Louis XIV’s death? More»

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Posted in Art & Archives, Editor's Picks, Getty Research Institute, Prints and Drawings

Six Meditations on Versailles

Bird's-Eye View of the Castle of Versailles, Its Gardens and Surroundings, as Seen from the Orangerie / Antoine Coquart
Bibliothèque nationale de France, Département des Estampes et de la Photographie, Va-422-format 4. Photo credit: BnF

A 1712 print depicts the palace of Versailles as capital of politics and pleasure. More»

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Posted in Art & Archives, Getty Research Institute, Prints and Drawings

Louis XIV as Royal Spectator

Detail of Fireworks on the Grand Canal / Jean Lepautre
Detail of fireworks in Fifth Day: Fireworks on the Grand Canal

Louis XIV appears front-row center in two engravings celebrating his grand parties. More»

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Posted in Art & Archives, Exhibitions and Installations, Prints and Drawings

A 17th-Century Face-Off

Louis XIV, King of France and Navarre / Robert Nanteuil
Louis XIV, King of France and Navarre, 1661. Robert Nanteuil after Nicolas Mignard. Engraving. The Getty Research Institute, 2010.PR.60

Masterpieces aren’t the only important objects in art history. More»

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Posted in Art, Art & Archives, Exhibitions and Installations, Getty Research Institute

Louis XIV, the Original King of Viral Media

Louis le Grand / Pierre Drevet after Hyacinthe Rigaud
Louis le Grand 1714–1715, Pierre Drevet after Hyacinthe Rigaud. Engraving. The Getty Research Institute, 2011.PR.13

The original tech-savvy celebrity. More»

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Posted in Art & Archives, Getty Research Institute, Prints and Drawings

This Just In: Anatomy in Wax, Wood, and Ink

“These prints preserve a fascinating moment in the history of art and science, through the meeting point of anatomy.” More»

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Posted in Art, Art & Archives, Getty Research Institute, Prints and Drawings, Scholarship

“The Everlasting Cycle of Becoming and Fading”: Thomas W. Gaehtgens on Philipp Otto Runge’s “Times of Day”

Detail of Night from the Times of Day suite / Philipp Otto Runge

“Runge’s prints represent far more than merely the times of day. The cycle of the day represents in fact the cycle of life.” More»

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Posted in Art, Art & Archives, Getty Research Institute, Prints and Drawings

Philipp Otto Runge’s “Times of Day,” A Monument of German Romantic Art

Detail of the female figure in Evening from the Times of Day suite / Philipp Otto Runge

This remarkable four-print series depicts the coming and departing of light, which points to the cycles of life from conception to death. More»

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Posted in Art, Art & Archives, Exhibitions and Installations, Getty Research Institute

The First Modern Catalogue of an Art Collection: Q&A with Curator Louis Marchesano

View of a Room at Pommersfelden Palace / Johann Georg Pintz

In the 1700s, the seeds of a new style of presenting works of art—both on the wall and on the page—were planted by a German prince. I talked with Louis Marchesano, curator of prints and drawings at the Getty Research… More»

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