feminism

Posted in Art, Getty Research Institute, Research

Treasures from the Vault: The Guerrilla Girls Archive

Props used in the Guerrilla Girls' actions: plastic gun, bananas, and gorilla fingers with nail polish
Copyright © Guerrilla Girls, courtesy guerrillagirls.com

Why did art professionals put on gorilla masks and take to the streets? More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum

Question of the Week: Is It Still a Man’s World?

Car Hood / Judy Chicago

In 1964, while a student in UCLA’s graduate program in painting and sculpture, artist Judy Chicago enrolled in auto-body school—the only woman in a class of 250 men. They were all there to learn how to custom-paint cars with candy-colored… More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Photographs, Film, and Video

Treasures from the Vault: Sam Francis and Mako Idemitsu

Untitled (Mako Series) / Sam Francis
Untitled (Mako Series), 1967, Sam Francis. Oil on canvas. 120 x 95 11/16 in. Collection of The Modern Art Museum of Fort Worth, museum purchase, The Benjamin J. Tillar Memorial Trust. © 2011 Sam Francis Foundation, California / Artists Rights Society (ARS), New York

Those accustomed to thinking of Sam Francis as a major figure in a local art scene will be surprised to find that he was quite the internationalist, even before it became compulsory for Los Angeles artists to be so. A… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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