Getty Provenance Index®

Posted in Getty Research Institute, Paintings, Research

Database of Knoedler Gallery Stock Books Now Online

Scan of a Knoedler stock book
Scan of a Knoedler stock book noting inventory of paintings by Moreau, Gérôme, and others. The Getty Research Institute, 2012.M.54

New online: searchable records from the 19th-century stock books of famed art dealers Knoedler Gallery. More»

Also tagged , , , , , , , 6 Responses
Posted in Art, Behind the Scenes, Getty Research Institute, Paintings, Research

Life Before eBay: British Art Auctions at the End of the 18th Century

britishsales_featured

A major new project traces the rise of the British art market in the late 1700s. More»

Also tagged , , , , 2 Responses
Posted in Getty Research Institute, Publications, Research

New Online Resource to Reveal Stories about Nazi-Looted Art, Wartime Art Market

Paintings in storage at the Munich Central Collecting Point / Johannes Felbermeyer
Paintings in storage at the Munich Central Collecting Point, ca. 1945–49, Johannes Felbermeyer. This was one of several sites used by the Allies to identify, photograph, and restitute Nazi-seized artworks after the war. Photo Study Collection. The Getty Research Institute, 89.P.4

Featuring over 2,000 newly digitized catalogs, a new database will revolutionize Nazi-era art research. More»

Also tagged , , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

  • Flickr