Getty Research Institute collection

Posted in Art, Getty Research Institute, Prints and Drawings

Treasures from the Vault: The Unexplored Archive of Otto Muehl

Otto Muehl 7
Otto Muehl after Joseph Beuys’s Fat Chair, 1979. The Getty Research Institute, Otto Mühl papers, circa 1918-circa 1997

A peek into the sketchbooks of the controversial founder of Viennese Actionism. More»

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Posted in Art, Getty Research Institute, Manuscripts and Books, Voices

Artists of the Getty Graffiti Black Book on Style, Street Art, and Special Books

Gorgs
Page by Gorgs from the artists' book L.A. Liber Amicorum

Hear from prominent graffiti artists who helped shape a 143-artist collaboration representing L.A. street art. More»

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Posted in Art, Manuscripts and Books, Research, Voices

Graffiti Black Book | Getty Voices

LALiberAmicorum_earlymeeting
One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

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Posted in Art, Getty Research Institute, Paintings, Research

Treasures from the Vault: Knoedler, Mellon, and an Unlikely Sale

Venus with a Mirror / Titian
Venus with a Mirror, about 1555, Titian. Oil on canvas, 49 x 41 9/16 in. The National Gallery of Art, Washington, D.C., 1937.1.34. Andrew W. Mellon Collection

One of the most remarkable art sales of the 20th century, as told in documents from the Knoedler archives at the Getty Research Institute. More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Research

Treasures from the Vault: Harald Szeemann, From Vision to Nail

Harald Szeemann during the installation of documenta 5 in Kassel, Germany, 1972 / Balthasar Burkhard
Harald Szeemann during the installation of documenta 5 in Kassel, Germany, 1972. Photo by Balthasar Burkhard. The Getty Research Institute, Harald Szeemann papers, 1892–2010

A five-person team at the Research Institute has finished cataloging Harald Szeemann’s monumental Project Files. More»

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Posted in Exhibitions and Installations, Getty Research Institute

Gallery at the Getty Research Institute Undergoing Dramatic Expansion

This space will no longer be home to rotating exhibitions.

The GRI Gallery is expanding more than threefold, starting June 10. More»

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Posted in Art, Getty Research Institute, Prints and Drawings, Research

“The Everlasting Cycle of Becoming and Fading”: Thomas W. Gaehtgens on Philipp Otto Runge’s “Times of Day”

Detail of Night from the Times of Day suite / Philipp Otto Runge

“Runge’s prints represent far more than merely the times of day. The cycle of the day represents in fact the cycle of life.” More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Philipp Otto Runge’s “Times of Day,” A Monument of German Romantic Art

Detail of the female figure in Evening from the Times of Day suite / Philipp Otto Runge

This remarkable four-print series depicts the coming and departing of light, which points to the cycles of life from conception to death. More»

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Posted in Architecture and Design, Art, Exhibitions and Installations, Getty Research Institute, Research

Treasures from the Vault: Harald Szeemann’s “Project Files”

Photos of the Venice Biennale from the Harald Szeemann papers
Behind the scenes at the Venice Biennale. At top left, Szeemann inspects construction progress; at bottom right, artwork crates arrive by boat. Undated; photographers unknown. The Getty Research Institute, Harald Szeemann papers, 1892–2010

As director of the Venice Biennale, curator Harald Szeemann created new ways of showing art—and new places to show it. More»

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Posted in Art, Getty Research Institute, Paintings, Research

Treasures from the Vault: The Man of La Belle Ferronière

Image 5_The London Illustrated_July 18 1931_1

A fake Leonardo? The scandalous court case of art dealer Joseph Duveen. More»

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