Getty Research Institute collection

Posted in Getty Research Institute, Manuscripts and Books, Photographs, Film, and Video, Research

100,000 Digitized Art History Materials from the Getty Research Institute Now Available in the Digital Public Library of America

Barnsdall Park / Julius Shulman
Barnsdall Park, Shulman Retrospective (Los Angeles, California), 1969, photographed by Julius Shulman. Print: Frank Taylor. The Getty Research Institute, 2004.R.10 (Job 4460)

There’s a new place to explore digital treasures from the vast collections of the Getty Research Institute. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

A Wartime Apocalypse, in Miniature

Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.
Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.

Tiny, feverish watercolors by Ernst Ludwig Kirchner express the anxious hopes of an entire generation of European artists. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Yvonne Rainer in Her Own Words

Yvonne Rainer at the Getty Research Institute

Hear artist Yvonne Rainer read from her diaries. More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Research

Unlocking Archives through Digital Tech

Decourcy McIntosh, Thomas Gaehtgens, and Gail Feigenbaum
In the Special Collections Reading Room, workshop participants look inside an art dealer's photograph album. Foreground, left to right: independent scholar Decourcy McIntosh, Research Institute director Thomas Gaehtgens, and associate director Gail Feigenbaum.

The vast archives of the Getty Research Institute contain many stories yet untold. More»

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Posted in Architecture and Design, Getty Research Institute, Research

The Fiery Career of Architecture Critic Ada Louise Huxtable

Ada Louise Huxtable with Richard Meier in 1996
Photo: Vladimir Lange

“I wanted her attention, but I was scared of it…She was tough, but her words were beautiful.” More»

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Posted in Architecture and Design, Getty Research Institute, Research

Treasures from the Vault: The Ada Louise Huxtable Archive

Portrait of Ada Louise Huxtable, 1970s
Photograph by L. Garth Huxtable

Inside the archive of one of the greatest 20th-century writers on architecture. More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations, Getty Conservation Institute

Science Behind Glass

Getty Conservation Institute scientist Vincent Beltran working on high-tech frames
Photo: S. Warren

Santa Ana winds are no match for these high-tech frames. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Posted in Art, Getty Research Institute, Manuscripts and Books, Research

16th-Century Album Records Social Network of Europeans in Istanbul

Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24
Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24

Newly acquired “book of friends” provides insight into European contact with the Ottoman Empire. More»

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Posted in Exhibitions and Installations, Getty Research Institute, Photographs, Film, and Video

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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