Halloween

Posted in J. Paul Getty Museum, Photographs, Film, and Video

Skeletons Carousing in Hell

Stereograph with skeletons and Satan / French, 1860s or 1870s

Skeletons in our closet. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Boo! Don’t Look Now, But I See a Ghost

Mrs. Chapin oil merchant & his spirit wife & babe recognized / William H. Mumler

In the 1860s, an era fascinated with spiritualism—spirits, the supernatural, messages from the Great Beyond—a small-time engraver named William Mumler realized he could apply the latest technology of his day, photography, to create “spirit photographs.” Almost a visual séance, Mumler’s… More»

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Posted in Art, Behind the Scenes, Getty Center

A Devilish Artwork for Halloween

Saint Anthony with demons in Polyptych with Coronation of the Virgin and Saints / Cenni di Francesco di Ser Cenni
Saint Anthony with demons in Polyptych with Coronation of the Virgin and Saints by Cenni di Francesco di Ser Cenni, about 1390s. The J. Paul Getty Museum, 71.PB.31

Here’s an artwork from our collection that makes me squeal…with terror! The multicolored demons attacking my pal Saint Anthony are hooves down the scariest creatures around. The blue devil is a total gangster. He bullied his way onto our new… More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

Get the Scoop on Spooky Art for Halloween

She'll turn you to stone: Medusa, Vincenzo Gemito, parcel-gilt silver, 1911

What’s spookier than a terrible monster with snakes growing out of her head who can turn you to stone with just one look? Maybe it’s an invisible ghost who returns from the dead to haunt his wife. Or a sea… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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