illuminated manuscripts

Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Medieval Masterpieces from Greece Now on View

The Divine Liturgy of Saint Basil in a liturgical scroll, Vermion, 1100s. Parchment, 26 x 10 in. Image courtesy of the National Library of Greece, Athens, cod 2759  [VEX.2014.2.73]
The Divine Liturgy of Saint Basil in a liturgical scroll, made in Vermion, 1100s. Parchment, 26 x 10 in. Image courtesy of the National Library of Greece, Athens, cod 2759

The largest presentation of Byzantine art ever seen in Los Angeles begins on Greek Independence Day. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

Art and Experience in Canterbury and L.A.

Installation view of Canterbury and St. Albans at the Getty Center
Inside Canterbury and St. Albans at the Getty Center. Pages from the St. Albans Psalter, foreground: Bibliothek Hildesheim. Stained-glass panels from the Ancestors of Christ Windows, Courtesy Dean and Chapter of Canterbury

A medieval prayer book was a personal liturgical space. Small and portable, one needed only to open the book to enter. More»

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Posted in Art, Manuscripts and Books

A Medieval Soap Opera

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Falling in love in the Middle Ages was more of a roller-coaster ride than today’s soap operas. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

An Illuminated Christmas

Detail of Christ and Mary from the Nativity in the St. Albans Psalter / Alexis Master
Dombibliothek Hildesheim

A nearly 900-year-old nativity scene, rendered in gold and jewel tones. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

They That Go Down To The Sea In Ships

The Calling of Saints Peter and Andrew / Master of the Brussels Initials
The Calling of Saints Peter and Andrew, about 1389–1404, Master of the Brussels Initials. Tempera colors, gold leaf, gold paint, and ink on parchment, 13 x 9 7/16 in. The J. Paul Getty Museum, Ms. 34, fol. 172

A reflection on the Feast of Saint Andrew, celebrated at Canterbury Cathedral. More»

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Posted in Ancient World, Antiquities, Art, Manuscripts and Books, Voices

The Search for Cyrus

Cyrus the Great, Founder of the Persian Empire, killed by Thamaris, Queen of the Massagetai; Boucicaut Master Illuminator, French, active about 1390 - 1430; Paris, France, Europe; about 1413 - 1415; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 42 x 29.6 cm (16 9/16 x 11 5/8 in.); 96.MR.17.58
Cyrus the Great, Founder of the Persian Empire, killed by Thamaris, Queen of the Massagetai; Boucicaut Master Illuminator, French, active about 1390 - 1430; Paris, France, Europe; about 1413 - 1415; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 42 x 29.6 cm (16 9/16 x 11 5/8 in.); 96.MR.17.58

A look at the representations of king Cyrus of ancient Persia in the Getty’s manuscripts collection. More»

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Posted in Art, Manuscripts and Books, Paintings

The Saints of Skid Row

All the Saints of the City of the Angels / J Michael Walker
© 2013 J Michael Walker

Artist J Michael Walker finds a saint very much alive in downtown Los Angeles. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Voices

Getty Voices: Living with the St. Albans Psalter

Conservator's hands holding the parchment of the St. Albans Psalter
Artwork: Dombibliothek Hildesheim. Photo: Peter Kidd

Studying a precious manuscript, page by page, illumination by illumination. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books, Voices

Getty Voices: Saints and Heroes

The Martyrdom of Saint Apollonia / Lieven van Lathem
The Martyrdom of Saint Apollonia, 1469, Lieven van Lathem. Tempera colors, gold leaf, gold paint, silver paint, and ink on parchment, 2 1/2 x 1 13/16 in. The J. Paul Getty Museum, Ms. 37, fol. 50v

Saints are all around us, whether we realize it or not. In the Middle Ages, it was even more so. More»

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Posted in Behind the Scenes, Getty Research Institute, Manuscripts and Books, Miscellaneous

What Do Paleographers Do?

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It’s nothing to do with fossils—paleographers are specialists in old handwriting. More»

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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit wacko. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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