illuminated manuscripts

Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books

Medieval Mysteries: Considering a Recent Acquisition

The Rejection of Joachim and Anna’s Offering, leaf from a book of hours, about 1410–30, attributed to the Rohan Master or immediate circle. Tempera colors and gold on parchment, 10 ¼ x 7 5/16 in. The J. Paul Getty Museum, Ms. 112, recto
The Rejection of Joachim and Anna’s Offering, leaf from a book of hours, about 1410–30, attributed to the Rohan Master or immediate circle. Tempera colors and gold on parchment, 10 ¼ x 7 5/16 in. The J. Paul Getty Museum, Ms. 112, recto

A manuscript page bursting with art historical mysteries. More»

Also tagged , , , : | 6 Responses
Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books, technology

Medieval Manuscripts and Digital Curation

Eat, Drink, and Be Merry virtual exhibition

From tasty to terrifying, three virtual exhibits explore the wealth of illuminated manuscripts. More»

Also tagged , , , , : | 1 Response
Posted in Art & Archives, Editor's Picks, J. Paul Getty Museum, Manuscripts and Books

Reconstructing Medieval Bread

Baking Bread / Unknown illuminator, Belgium
Baking Bread (detail) in a psalter by an unknown illuminator, Belgium, mid-1200s. Tempera colors, gold leaf, and ink on parchment, each leaf 9 1/4 x 6 1/2 in. The J. Paul Getty Museum, Ms. 14, fol. 8v

A food historian sleuths the reality of medieval bread-baking. More»

Also tagged , , , , , : | 15 Responses
Posted in Art & Archives, Exhibitions and Installations, Manuscripts and Books, Prints and Drawings

Dig In to the Art of Food at the Getty

Pastry Shop / Abraham Brosse
Pastry Shop, 1600, Abraham Brosse. Hand-colored etching and engraving, 26.9 x 34 cm. The Getty Research Institute, 2014.PR.63

Exhibitions and events are extra tasty this fall. More»

Also tagged , , , : | Leave a comment
Posted in Art & Archives, Editor's Picks, Exhibitions and Installations, Getty Research Institute, J. Paul Getty Museum

Dogs at the Medieval Banquet

A Hunter and Dogs Pursuing a Hare, about 1430–1440, Unknown. Tempera colors, gold paint, silver paint, and gold leaf on parchment, 10 3/8 x 7 1/4 in. The J. Paul Getty Museum, Ms. 27, fol. 85
A Hunter and Dogs Pursuing a Hare, about 1430–1440, Unknown. Tempera colors, gold paint, silver paint, and gold leaf on parchment, 10 3/8 x 7 1/4 in. The J. Paul Getty Museum, Ms. 27, fol. 85

Who let the dogs in? More»

Also tagged , , , , , , , : | 1 Response
Posted in Art & Archives, Manuscripts and Books

The Allure of Gems and Jewelry, from Medieval to Modern

Don’t miss the bear cubs, representing the Orsini (Italian for “Little Bears”) family, patiently holding up a gold cross. Initial A: King David, Matteo da Milano, about 1520. The J. Paul Getty Museum, Ms. 87, fol. 52v
Don’t miss the bear cubs, representing the Orsini (Italian for “Little Bears”) family, patiently holding up a gold cross. Initial A: King David, Matteo da Milano, about 1520. The J. Paul Getty Museum, Ms. 87, fol. 52v

The allure of gems, from medieval manuscripts to 21st-century style pages. More»

Also tagged , , : | Leave a comment
Posted in Antiquities, Art & Archives, Editor's Picks, J. Paul Getty Museum, Manuscripts and Books

A Hero’s Journey and the Dance of Dragons

Alexander the Great Under Water
Alexander the Great Under Water (detail), about 1400–10, unknown artist, in the World Chronicle. The J. Paul Getty Museum, Ms. 33, fol. 220v

Over-the-top tales of Alexander the Great from the pages of medieval manuscripts. More»

Also tagged , , , , , : | Leave a comment
Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books, Sculpture and Decorative Arts

The Sun King Illuminated: An Emblem Book for Louis XIV

Escutcheon with a Landscape / Jacques Bailly
Escutcheon with a Landscape (detail) from Emblems for Louis XIV, text in French and Latin by Charles Perrault, illuminations by Jacques Bailly, about 1663–68. The J. Paul Getty Museum, Ms. 11, leaf 5

Sleuthing the symbols of Louis XIV in the Getty Center galleries. More»

Also tagged , , , , : | 1 Response
Posted in Art & Archives, Behind the Scenes, Editor's Picks, Manuscripts and Books

Medieval Manuscripts Alive: Middle French

Zrinka Stahuljak in the Manuscripts Study Room at the J. Paul Getty Museum
With the Romance of Gillion de Trazegnies in the Manuscripts Study Room

A chivalrous soap opera, read aloud. More»

Also tagged , , : | 1 Response
Posted in Art, Art & Archives, Exhibitions and Installations, Manuscripts and Books

Decoding the Medieval Volvelle

Volvelle Animation

It’s part timepiece, part floppy disk, and part crystal ball. More»

Also tagged , , : | 10 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      Color for Healing

      This sanitorium (tuberculosis hospital) in Paimio, Finland, was designed by architect Alvar Aalto in the 1920s. Unlike many hospitals, it was full of bright colors—including welcoming yellow on the main stairs and calming green for ceilings above bedridden patients. Aalto even created special chairs to open the chest and speed healing.

      The building’s colors were mostly whitewashed later in the 20th century, but now—due to a grant from the Getty Foundation as part of its Keeping It Modern initiative—its colors are being reconstructed and the building preserved for the future.

      More of the story: Saving Alvar Aalto’s Paimio Sanitorium

      Pictured: Paimio Sanatorium, patients’ wing and solarium terraces. Photo: Maija Holma, Alvar Aalto Museum. A color model for Paimio Sanatorium interiors by decorative artist Eino Kauria. Photo: Maija Holma, Alvar Aalto Museum, 2016.Paimio chairs (Artek no 41) in the Paimio Sanatorium lecture room, 1930s. Photo: Gustaf Welin, Alvar Aalto Museum. Aino Aalto resting in a chair on the solarium terrace. Photo: Alvar Aalto, Alvar Aalto Museum, 1930s. Main stairs of Paimio Sanatorium. Photo: Maija Holma, Alvar Aalto Museum.

      04/30/16

  • Flickr