James Ensor

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Curator’s Talk on James Ensor Is a Gas

James_Ensor2

What you need to know about James Ensor, in 12 minutes. More»

Also tagged , , 1 Response
Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Bully Has Left the Room

Untitled / George Seeley
Untitled, about 1903, George Seeley. Platinum print, 19.2 x 24.3 cm. The J. Paul Getty Museum, Los Angeles, 84.XM.163.3.

While James Ensor is away, Pictorialist photographs will play. More»

Also tagged , Leave a comment
Posted in Art, Education

What Mask Do You Wear?

DH0A3359_blog

What is the Mobile Arts Platform and why should you tell us what mask you wear? More»

Also tagged , , 3 Responses
Posted in Behind the Scenes, Exhibitions and Installations, Getty Center

Theater for the Wonderfully Grotesque: A Playlist for James Ensor

James_Ensor2

Dark and obscure songs that mirror the grotesque sensibilities of James Ensor. More»

Also tagged Leave a comment
Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

Who Was James Ensor?

The Skeleton Painter / James Ensor
Royal Museum of Fine Arts Antwerp. © 2014 Artists Rights Society (ARS), New York / SABAM, Brussels. Image © Lukas-Art in Flanders vzw, photo Hugo Maertens

Belgium’s most eccentric, scandalous, and shocking painter is the focus of an exhibition at the Getty Center this summer. More»

Also tagged , , , 5 Responses
Posted in Art, Getty Research Institute

Poe-Inspired Prints by Ensor Join Research Institute’s Collection

Hop-Frog’s Revenge / James Ensor

Three prints by James Ensor have just joined the collection of the Getty Research Institute. All three were made in the 1890s, when Ensor was at the peak of his creative powers, and all contain the eerie imagery for which… More»

Also tagged , , Leave a comment
Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

Also tagged , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      Photography of Troubled Dreams

      Japanese photographer Shiga Lieko works with local communities, immersing herself in them and incorporating their histories and myths into her photographs. Her series Rasen Kaigan (Spiral Shore) was created between 2009 and 2012 in Kitakama, Japan, a coastal village devastated by the earthquake and tsunami of March 11, 2011. The images possess a dreamlike, postapocalyptic quality that evokes myth, natural disaster, and trauma.

      Six from the series are included in the exhibition The Younger Generation: Contemporary Japanese Photography (through February 21).

      Three images from Shiga Lieko’s series Rasen Kaigan (Spiral Shore), from top: Rasen Kaigan 39 and Portrait of Cultivation, 2009; Rasen Kaigan 21, 2012. Chromogenic prints. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2015.1.2.–.4 © Shiga Lieko

      02/13/16

  • Flickr