James Ensor

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Curator’s Talk on James Ensor Is a Gas

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What you need to know about James Ensor, in 12 minutes. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Bully Has Left the Room

Untitled / George Seeley
Untitled, about 1903, George Seeley. Platinum print, 19.2 x 24.3 cm. The J. Paul Getty Museum, Los Angeles, 84.XM.163.3.

While James Ensor is away, Pictorialist photographs will play. More»

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Posted in Art, Education

What Mask Do You Wear?

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What is the Mobile Arts Platform and why should you tell us what mask you wear? More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Center

Theater for the Wonderfully Grotesque: A Playlist for James Ensor

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Dark and obscure songs that mirror the grotesque sensibilities of James Ensor. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

Who Was James Ensor?

The Skeleton Painter / James Ensor
Royal Museum of Fine Arts Antwerp. © 2014 Artists Rights Society (ARS), New York / SABAM, Brussels. Image © Lukas-Art in Flanders vzw, photo Hugo Maertens

Belgium’s most eccentric, scandalous, and shocking painter is the focus of an exhibition at the Getty Center this summer. More»

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Posted in Art, Getty Research Institute

Poe-Inspired Prints by Ensor Join Research Institute’s Collection

Hop-Frog’s Revenge / James Ensor

Three prints by James Ensor have just joined the collection of the Getty Research Institute. All three were made in the 1890s, when Ensor was at the peak of his creative powers, and all contain the eerie imagery for which… More»

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Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

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      Dressed in the finest 17th century fashions, a woman personifying September shops the local market.

      This sketch of September, the rich landscape, and bountiful harvest were made for paintings of the months for Elector Maximilian I of Bavaria for a dining hall in his Munich palace.

      Fashion Fridays explores art, history, and costume in the Getty collection.

      Personification of September, about 1644, Joachim von Sandrart. J. Paul Getty Museum.

      09/19/14

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