Julius Shulman

Posted in Art, Getty Research Institute, Photographs, Film, and Video

Where Is Yucatan? Julius Shulman at Chichen Itza

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Julius Shulman photographs the Yucatan, mecca for the midcentury consumer. More»

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Posted in Architecture and Design, Art

Planning for Utopia

August 9, 1974 (Washington, D.C.)
August 9, 1974 (Washington, D.C.)

Photographs and Memories Reveal the Darker Side of a Symbol of Postwar Suburban Order. More»

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Posted in Architecture and Design, Getty Research Institute, Photographs, Film, and Video

Dynamic L.A.: Images from the Julius Shulman Photography Archive Now Available

Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960
Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960. Julius Shulman photography archive. The Getty Research Institute, 2004.R.10

6,500 newly digitized images depict the development of Los Angeles architecture across decades. More»

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Posted in Architecture and Design

Finding Beauty in L.A.’s Visual Clutter

South Broadway in downtown L.A.
But is it architecture? The palimpsests at street level better fit a community definition of architecture than the skyscrapers behind, says Greg Goldin. Photo: S. Broadway by Xavier de Jauréguiberry on Flickr, CC BY-NC-ND 2.0

Hulking public works and messy storefronts are the essence of L.A. architecture. Here’s why you should love them. More»

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Posted in Architecture and Design, Art, Getty Research Institute

Treasures from the Vault: William Krisel, Southern California’s Architect

William Krisel and Dan Palmer in 1958
William Krisel and Dan Palmer in 1958. Julius Shulman photography archive. The Getty Research Institute, 2004.R.10

The Getty Research Institute is pleased to announce the opening of a new archive relating to mid-century architecture in Southern California: the William Krisel papers. Processed with a grant from the Council on Library and Information Resources, the collection consists… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Pacific Standard Time Takes Berlin

PSTinBerlin: The Martin-Gropius-Bau in Berlin, with the Kunst in Los Angeles banner flying high

Pacific Standard Time officially ended in Los Angeles on March 31, but it continues nearly 6,000 miles away in Berlin. Pacific Standard Time: Kunst in Los Angeles 1950–1980 opened at the Martin-Gropius-Bau in Berlin on March 15th. With double the… More»

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Posted in Architecture and Design, Art, Getty Research Institute

Treasures from the Vault: Ray Kappe, Green Architecture Pioneer and SCI-ARC Founder

Architectural rendering of the Kappe residence. Ray Kappe papers, drawings, and models. The Getty Research Institute, 2008.M.36
Architectural rendering of the Kappe residence. Pacific Palisades, California. Ray Kappe, architect. Ray Kappe papers. Gift of Ray Kappe. The Getty Research Institute, 2008.M.36

Researchers interested in studying post-World War II architecture in Southern California will be excited to learn that a new archive is now fully catalogued and available for study: the Ray Kappe papers. The collection, part of the Getty Research Institute’s… More»

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Posted in Architecture and Design, Art, Getty Research Institute

Happy 100th Birthday, John Lautner!

John Lautner, 1970. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute, 2004.R.10

The Los Angeles City Council will vote Friday to declare July 16th “John Lautner Day.” This Saturday would have been the 100th birthday of John Lautner (1911–1994), who is considered one of the most visionary architects of the 20th century,… More»

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Posted in Art, Getty Research Institute, Research

Explore New Features and Tools on the Getty Research Institute’s Website

Caption TK

Eighteen months ago we at the Getty Research Institute decided to give our website a complete overhaul. A small group formed and spent the first three months looking through hundreds and hundreds of pages on our site. We talked, and… More»

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      Corita said that ads and billboards were the carriers of man’s loves, hopes, and beliefs, and that she was restoring life to words by taking them back from advertising. For Corita, “the big G” wasn’t General Mills, it was God; the dots on the Wonder Bread wrapper weren’t a decorative element, they were hosts. But her work was not a commentary or criticism of mass-market commercialism, as some may read it today. Her work was about joy and, she said, giving people an idea of what harmony might look like.

      If she were alive today, I’m sure Corita would still be an advocate for social justice and creating work with a message. I’m sure she would be delighted to communicate with people all over the world through social media. For Corita, looking was a spiritual act and she would invite you to do that: just look.

      Corita Kent, An Artist Who Sees Holiness in Wonder Bread

      All images: Corita Art Center, Immaculate Heart Community, Los Angeles, CA. Photographs by Arthur Evans, courtesy of the Tang Museum at Skidmore College

      08/28/15

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