LACMA

Posted in Art, Getty Research Institute, Photographs, Film, and Video

Treasures from the Vault: Malcolm Lubliner’s Photographs of the L.A. Art Scene

Jasper Johns, 1968, Malcolm Lubliner
© Malcolm Lubliner Photograph

Photographic portraits of some of the 20th century’s most notable artists. More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Coming in 2016: Robert Mapplethorpe

Thomas / Mapplethorpe
Jointly acquired by the Los Angeles County Museum of Art, with funds provided by The David Geffen Foundation and The J. Paul Getty Trust. The J. Paul Getty Museum, 2011.7.31. © Robert Mapplethorpe Foundation

A major retrospective of the artist’s work is coming in March 2016. More»

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Posted in Art, Photographs, Film, and Video

Larry Sultan’s Visions of Suburbia

Screen Shot 2014-12-23 at 2.53.57 PM

On Larry Sultan, intimacy, and photography. More»

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Posted in Art, Education, J. Paul Getty Museum

“L.A. Summer of Learning” Turns the City into an Open-Air Classroom

Los Angeles Summer of Learning

Make your own summer camp with this new citywide program. More»

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Posted in Getty Foundation, Philanthropy, Publications, Research

What Is a Page in the Digital Age?

On Performativity / Walker Art Center
View of the Walker’s new OSCI publication, On Performativity. Image courtesy Walker Art Center

A new crop of digital museum catalogues reinvents the page for the 21st century. More»

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Posted in Art, Paintings

Scott Schaefer on the Meaning of Collecting

photo

The retiring paintings curator walks the galleries with us one last time. More»

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Posted in Art, Photographs, Film, and Video

David Hockney in the Promised Land

Woldgate Woods, 26, 27 & 30 July 2006 / David Hockney
Artwork © David Hockney. Photo: Richard Schmidt

“Why is vibrant color, like green, characteristic of Hockney’s landscapes of Northern England? I think it has to do with the nearly 30 years that he lived in L.A.” More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

An Agnès Varda Moment for L.A.

Viva! – Rado – Ragni in LIONS LOVE (…AND LIES), Agnès Varda, 1968. © Max Raab/Agnès Varda
Viva! – Rado – Ragni in LIONS LOVE (…AND LIES), Agnès Varda, 1968. © Max Raab/Agnès Varda

Speaking at the Getty this weekend, the centerpiece of a new LACMA show, and guest artistic director at the AFI Fest—all at age 85. More»

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Posted in Ancient World, Antiquities, Art, Getty Villa

A Winged Chariot, Wilshire Boulevard, and a Shipwreck: The Travels of Triptolemos

Display case at the Getty Villa featuring Red-Figure Neck-Amphora with Triptolemos Attended by Demeter and Persephone
Display case at the Getty Villa featuring, at center, Red-Figure Neck-Amphora with Triptolemos Attended by Demeter and Persephone, about 440–430 B.C., attributed to the Hector Painter. Greek, made in Attica. Terracotta, 19 1/4 in. high. The Los Angeles County Museum of Art, William Randolph Hearst Collection (50.8.23)

Retracing the travels of a beautiful Greek vase, from Naples to England to Los Angeles by way of a near miss with the sea floor More»

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Posted in Art

Yes, Art Really Is Hard Work

Grave Relief of a Silversmith / Roman
Grave Relief of Publius Curtilius Agatus, Silversmith, A.D. 1–25, Roman. Marble, 31 7/16 x 23 1/16 x 12 1/2 in. The J. Paul Getty Museum, 96.AA.40. Bruce White Photography

In honor of Labor Day, a tribute to the hard work of artists throughout the centuries. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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