medieval art

Posted in Art, Exhibitions and Installations, Manuscripts and Books, Voices

Getty Voices: Saints and Heroes

The Martyrdom of Saint Apollonia / Lieven van Lathem
The Martyrdom of Saint Apollonia, 1469, Lieven van Lathem. Tempera colors, gold leaf, gold paint, silver paint, and ink on parchment, 2 1/2 x 1 13/16 in. The J. Paul Getty Museum, Ms. 37, fol. 50v

Saints are all around us, whether we realize it or not. In the Middle Ages, it was even more so. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Sicily, The International Island

The Crucifixion and the Harrowing of Hell / Sicilian
The Crucifixion and the Harrowing of Hell in a New Testament, Sicilian, late 1100s. Tempera colors, gold leaf, and ink on parchment, 9 11/16 x 6 3/8 in. The J. Paul Getty Museum, Ms. Ludwig I 5, fol. 191v

Medieval Sicily was a hotbed of political turmoil and artistic innovation. More»

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Posted in Education, J. Paul Getty Museum, Manuscripts and Books, Research

Thrust, Parry, Download!

Aiming Points on the Body / Fiore dei Liberi, Fior di Battaglia
Aiming Points on the Body (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 32

Fight like it’s 1410 with this zesty combat manuscript, free to download via the new Open Content Program. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

On the 12 Days of Christmas, My True Love Gave to Me…

A Partridge (detail)/from a bestiary
A Partridge (detail) in a bestiary, about 1270. Tempera colors, gold leaf, and ink on parchment, 7 ½ x 5 5/8 in. (19.1 x 14.3 cm). The J. Paul Getty Museum, Ms. Ludwig XV 3, fol. 38v

Illuminated manuscripts are one of my true loves, and as a treat for the 12 days of Christmas, I’d like to share just a few of the glorious things that my true love gave to me this year. On the… More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Christmas Adventures, from Silver Screen to Gilded Page

Alistair Sim as Scrooge repents his selfish ways in the 1951 movie version of A Christmas Carol
Scrooge repents his selfish ways in the 1951 movie version of A Christmas Carol. Courtesy of United Artists

I love Christmas movies, from the moment when Natalie Wood is stunned by Santa Claus speaking Dutch in Miracle on 34th Street to Rudolph setting off with Hermey the dentist in Rudolph the Red-Nosed Reindeer. One of my other great… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

Everyone’s Talking about Giotto

Panel paintings by Giotto: Virgin and Child and Crucifixion

There’s been almost seven hundred years of chatter about Giotto di Bondone (about 1267–1337), a painter from Florence considered one of the greatest artists of all time. After six years of careful planning and negotiation, we at the Getty Museum are… More»

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Posted in Art, Manuscripts and Books, Publications

Illuminating the End of Time

Page from Illuminating the End of Time from Getty Publications

2012 was the year proclaimed as the end of time by Mayan hieroglyphs, extra-terrestrial communicators, and bad disaster movies. The Getty Apocalypse, a medieval manuscript of the biblical Book of Revelation recently published as a facsimile by Getty Publications, suggests… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: Medieval Children’s Games

Initial C: The Massacre of the Innocents in a breviary / French

The current exhibition Gothic Grandeur abounds with images in the margin. These charming and often humorous additions, called marginalia (Latin for “things in the margins”), were introduced to manuscript illumination during the Gothic era. In the lower border of this… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: A Demon Whispering Sweet Nothings

Detail of Initial D: The Fool with Two Demons / Master of the Ingeborg Psalter

One of my favorite details from the current exhibition Gothic Grandeur comes from a French psalter of the early 1200s. A hallmark of Gothic art was an increasing sensitivity to the natural world, which led not only to a new… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: A Medieval Holiday Message

A nativity scene in the Abbey Bible / Italian

On the opening page of the Abbey Bible, the first image we encounter is this roundel containing a scene of the Nativity of Christ. According to Christian tradition, late in her pregnancy Mary traveled with Joseph to Bethlehem for a… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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