medieval art

Posted in Art, Behind the Scenes, Getty Center

A Devilish Artwork for Halloween

Saint Anthony with demons in Polyptych with Coronation of the Virgin and Saints / Cenni di Francesco di Ser Cenni
Saint Anthony with demons in Polyptych with Coronation of the Virgin and Saints by Cenni di Francesco di Ser Cenni, about 1390s. The J. Paul Getty Museum, 71.PB.31

Here’s an artwork from our collection that makes me squeal…with terror! The multicolored demons attacking my pal Saint Anthony are hooves down the scariest creatures around. The blue devil is a total gangster. He bullied his way onto our new… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

See the Book That Was Kept in Storage for 800 Years

Stammheim Missal on display in the Getty Museum galleries

One of the most exciting aspects of curatorial work is the privilege of bringing you great works of art that were rarely seen before their acquisition by the museum. Case in point: the Stammheim Missal, one of the greatest manuscripts… More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Far from Marginal: Images in the Margins of the Abbey Bible

Dominican and Franciscan Friars Singing at Lecterns, Conducted by Christ in the Abbey Bible / Italian

We use the word “marginal” to dismiss something as unimportant or trivial. But images in the margins of medieval books are so important they get their own name, marginalia, a Latin term that simply means “things in the margins.” Sometimes… More»

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Posted in Art, Getty Center, J. Paul Getty Museum, Manuscripts and Books

Have You Seen an Illuminated Manuscript Lately?

The Flight into Egypt / French
The Flight into Egypt, French, about 1420-1430, tempera colors, gold paint, gold leaf, and silver paint on parchment. The J. Paul Getty Museum, Ms. 19, fol. 59

The Getty Center is one of few places in the United States where you can see medieval and Renaissance illuminated manuscripts year-round. With three or four exhibitions per year drawn almost exclusively from the permanent collection, in addition to major international… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Tights, A Medieval Fashion Faux Pas, Return!

The Competition in Sittacene and the Placating of Sisigambis / Attributed to the Master of the Jardin de vertueuse consolation

For over a year now, a fashion trend from medieval Europe—once reserved for men of elite social standing—has been resurrected and adopted by women, causing some fashionistas to cringe. Tights are back. In mid-15th-century England, a law restricted the wearing… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Fashion According to the Pope: Short Tunics for Him and Fabulous Jewelry for Her

The Emperor Sigismund Arriving in Siena / French, about 1460-70

The current exhibition Fashion in the Middles Ages, closing Sunday, August 14, examines costumes in the pages of medieval manuscripts. At times, the clothing seen in manuscript illuminations reflected the actual styles and fabrics of the Middle Ages—but at others,… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Medieval Clotheshorse: Roger Wieck on the Fashion Revolution of the Middle Ages

Philosophy Presenting the Seven Liberal Arts to Boethius (detail), miniature in a French manuscript of The Consolation of Philosophy attributed to the Coëtivy Master, about 1460–70

A “fashion revolution” in the Middle Ages? Yes, says art historian Roger Wieck, curator of Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands at the Morgan Library. Just as art was changing with the dawn of… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Sculpture and Decorative Arts

The Buddha in Medieval Europe?

Left: Crowned Buddha, Cambodian, Angkor period, 1100s, bronze. National Museum of Cambodia, Phnom Penh. Right: King Avenir and Josaphat in Conversation (detail) in Barlaam and Josaphat, Follower of Hans Schilling, 1469. The J. Paul Getty Museum, MS. LUDWIG XV 9, fol. 320v

What does a 12th-century bronze sculpture from Cambodia have in common with a 15th-century manuscript from Germany?  Both, surprisingly, relate to the story of the Buddha. The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia is displayed… More»

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Posted in Antiquities, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

A Lasting War: Representing Troy in Ancient Greece and Medieval Europe

The Construction and Destruction of Troy, Orosius Master, Paris, 1405-6. In City of God (Cité de Dieu; original text in Latin); Saint Augustine, author; Raoul de Presles, translator. The Philip S. Collins Collection, gift of Mrs. Philip S. Collins in memory of her husband, 1945. Philadelphia Museum of Art, Philadelphia, Pennsylvania, Ms. 1945.65.1, fol. 66v

For when one sees a story illustrated, whether of Troy or something else, he sees the actions of the worthy men that lived in those times, just as though they were present.    —Richard de Fournival, Bestiare d’amours, ca. 1250 The… More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Imagining the Culinary Past in France: Recipes for a Medieval Feast

The Performance of a Crusade Play at King Charles V's Feast (detail), Master of the Coronation of Charles VI, Paris, about 1375–80. From Great Chronicles of France (Grandes chroniques de France). Bibliothèque nationale de France, Paris. Ms. fr. 2813, fol. 473v

In the French Middle Ages, as today, banquets were opportunities for the well-heeled to entertain guests in style. The set-up was simple: boards placed on trestles topped with white cloths, wine diluted with water in clay vessels, meats on five-day-old… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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