Mexico

Posted in Art, Exhibitions and Installations, Getty Research Institute, Voices

Encounters with Indigenous Mexico | Getty Voices

The Zocalo, Mexico City / Cartas de relacion
The Zócalo, Mexico City's main square, depicted soon after the Spanish Conquest. Detail from Tenochtitlan, woodcut in Hernán Cortés, Cartas de relación (Nuremberg, 1524). The Getty Research Institute, 93-B9631

“There is so much to think over that I do not know how to describe it, seeing things as we did that had never been heard of or seen before, not even dreamed about.” More»

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Posted in Art, Paintings, Voices

Getty Voices: The Forgotten Surrealist

Wolfgang Paalen with his portrait of Andre Breton
Courtesy Museo Franz Mayer, Mexico City

“A feeling of surprise, even disbelief, that someone so unique could have remained unknown to us for so long.” More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute, Photographs, Film, and Video

Faces of the Mexican Revolution

General Francisco (Pancho) Villa / D. W. Hoffman

When we think of the Mexican Revolution, many of us probably conjure up images of Pancho Villa or Emiliano Zapata, two of the most well-known figures from the ten-year civil war (1910-1920) that raged across Mexico during the early years… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Obsidian Mirror-Travels Explores Myths and Truths about Ancient Mexico

obsidian_mirror

The current exhibition at the Getty Research Institute, Obsidian Mirror-Travels: Refracting Ancient Mexican Art and Archaeology, challenges our ideas of how we understand the past. More than 70 objects from the Colonial era to the present, including maps, books, photographs,… More»

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Posted in Antiquities, Behind the Scenes, Exhibitions and Installations, Getty Villa

Curating The Aztec Pantheon

Tzitzimitl (Demon), Aztec, 1440–69, found near the Templo Mayor, Mexico City. Terracotta, stucco, and pigment, 176 x 80 x 50 cm. Museo del Templo Mayor, Mexico City. CONACULTA-INAH-MEX © foto zabé. Reproduction authorized by the National Institute of Anthropology and History
Tzitzimitl (Demon), Aztec, 1440–69, found near the Templo Mayor, Mexico City. Terracotta, stucco, and pigment, 176 x 80 x 50 cm. Museo del Templo Mayor, Mexico City. CONACULTA-INAH-MEX © foto zabé. Reproduction authorized by the National Institute of Anthropology and History

The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As curators,… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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